Ce 21 mars 2024 seront mis en vente deux couteaux notés : Tenor et Bassus.
Malheuresement les deux couteaux comprenant d'un coté un bénédicité : Benedictio mensae "Quae sumpturi sumus benedicat trinus et unus" et de l'autre une action de grace : Gras
A few weekends ago I located a contratenor part from a polyphonic Gloria setting in the online virtual library of the Saint John's University Hill Museum & Manuscript Library Special Collections (Collegeville, Minnesota, US).
Le manuscrits Latin 8800 de la Bibliothèque nationale de France (Paris) contient en garde sup. un Tenor sans doute copié autour de 1500. Malheureusement, je n'ai pas pu identifier cette mélodie. Nous pouvons lire en haut à droite ce qui pourrait être
Here is another one: a later musical addition to the margins of a 13th c. manuscript containing Petrus Riga, Aurura. It seems to be 16th c., latter half?
Apologies if it has been reported before – it seems to have been online a while.
Another discovery which may be of interest: a re-used parchment serving as a cover for the 1633-1640 parish register for Cogolin, Var, France (Archives du Var, 7E 45/2), which preserves a large portion of the uppermost voice of the Credo from the Mas
I ran across these two fragments the other day – both offsets from from what were evidently parchment covers that had once been used for the 1674 parish vital record registers for Bona, Nièvre, France. Although they probably originated from the same
Copied in the first few years of the sixteenth century, the Eton Choirbook bears witness to the devotional culture of pre-Reformation England at its zenith. The compositions found in the choirbook are traces of the soundsc
Door Coenraad Lodewijk Walther Boer, Chansonvormen op het einde van de XVde eeuw : een studie naar aanleiding van Petrucci’s "Harmonice musices odhecaton".