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Mélos et ses microtones Discussions (15)
| Discussions | Replies | Latest Activity |
|---|---|---|
Aachen, Aurelianus Reomensis and the role of tonaries within Carolingian chantOliver for Lutz Felbick: If you look at music history from the perspective of the Carolingian power center in Aachen/Aix la Chapelle, the r… Started by Oliver Gerlach |
27 |
Nov 8, 2019 Reply by Oliver Gerlach |
Emilysue Reichardt: Recent publications about the modal use of microtones?Oliver Gerlach for Emilysue Reichardt: What is the most recent published work about these microtones, and where can I find it to read it? I… Started by Oliver Gerlach |
3 |
Feb 6, 2019 Reply by Oliver Gerlach |
Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272)Munich, Bayerische Staatsbibliothek clm 14272, fol. 177v Tonary of the alia musica compilation (manuscript M) with neumed intonations, psal… Started by Oliver Gerlach |
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Feb 4, 2019 Reply by IEGOR REZNIKOFF |
La réception d'Aristoxène chez la compilation des tonaires alia musicaRéponse au commentaire de Frédéric Gruber : Citation selon l'édition de Jacques Chailley (1965, 143-144) : De quarto tono. Aristoxenus musi… Started by Oliver Gerlach |
8 |
Apr 18, 2018 Reply by Oliver Gerlach |
Discussion of didactic material about modality for Milan and ParisLa discussion des exposés didactiques était née dans la discussion de la main guidonienne avec les symboles dasianes. Nicolas Meeùs m'a dem… Started by Oliver Gerlach |
8 |
Oct 2, 2017 Reply by Oliver Gerlach |
Nummerierung des Oktōīchos bei Hucbaldfür Franco: noch ein sachliche Frage: im Artikel Tonary von Wikipedia findet sich. Since Hucbald of Saint-Amand the eight tones were simply… Started by Oliver Gerlach |
7 |
Jun 10, 2017 Reply by Oliver Gerlach |
Guido and the diesisI'd like to open myself the discussion that Oliver Gerlach promised in the Low B-flat discussion. It refers to Guido of Arezzo's mention o… Started by Nicolas Meeùs |
28 |
Nov 28, 2016 Reply by Oliver Gerlach |
The Use of Microtones in Plainchant since Pythagoras in Italy, Boethius in Rome and Justinian in ConstantinopleNeil Moran wrote: "Byzantine liturgical music is based on the principles of Pythagoras, classical Greek music theorists and Boethius, the c… Started by Oliver Gerlach |
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Apr 15, 2014 Reply by Oliver Gerlach |
Le liste des sources des tonairesUn bienvenu à tous les visiteurs de ce groupe! En ce moment il y a beaucoup des réproductions des manuscrits en ligne, même ceux avec un to… Started by Oliver Gerlach |
1 |
Feb 22, 2014 Reply by Oliver Gerlach |
Aurelian of Réôme's reception of the lesser perfect system: the 15 modes organized in triphoniaScholars of Western chant usually rely on Guido of Arezzo, when they reduce the discussion of microtones to the question where to use b fla… Started by Oliver Gerlach |
0 | Dec 10, 2013 |
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