Resources for medieval musicology and liturgy
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Fabrizio Mastroianni
- Male
- Terni, (TR)
- Italy
- Blog Posts (6)
- Discussions (11)
- Events
- Groups (11)
- Videos (11)
Fabrizio Mastroianni's Groups
Fabrizio Mastroianni's Discussions
Request for advice - Demande de conseil - Antrag auf Beratung - richiesta di consulenza
Started this discussion. Last reply by Fiona McAlpine Feb 2, 2013. 2 Replies 1 Like
Come è possibile sciogliere le abbreviazioni del motto della famiglia del compositore Asprilio Pacelli (Vasciano di Stroncone, 1566/70 - Varsavia 1623) ?Comment dois-je interpréter les abréviations…Continue
Iter Liturgicum Italicum - Editio Maior & Nomina Codicum
Started Oct 10, 2012 0 Replies 7 Likes
The ASMA - St Michael the Archangel Association - has published two books by Giacomo Baroffio: Iter Liturgicum Italicum - Editio Maior: and Nomina Codicum.Iter Liturgicum Italicum - Editio Maior: is…Continue
Tags: manuscripts, liturgy, paleography, Fractus, Cantus
Fabrizio Mastroianni's Page
Profile Information
- Intérêt principal (principal interest)
- Grégorien, Vieux-Romain, Manuscrits (paléographie)
- Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
- I have carried out a cataloguing (with codicological description, dating and description of the liturgical content) of liturgical and liturgical-musical manuscripts (IX-XIX centuries) as well as of manuscript fragments. I have complied data bases of pieces of music of entire musical manuscripts. I also have experience in the cataloguing of modern music manuscripts (1700-1900).
In the course of my work I have made digital photographs of thousands of manuscript fragments as well as many complete codices.
I studied Gregorian Chant and vocal training,
I was the creator and main author of an on-line course in Gregorian Chant.
I am the director of a children choir specialized in Gregorian Chant - as well in medieval chants with instruments (playing synphonia, portable organ and other insturments).
I have transcribed in modern notation Gregorian chants as well as pieces in Canto Fratto or in polyphony, and I have sung, taught and directed them, supplying the translation of the original texts in verse or prose.
I have experience in fund-raising, and admistration of courses and didactic activities, meetings, as artistic director of concert seasons, the drafting of business plans and financial reports.
I collaborated in the sound-editing of our 4 CDs.
I have also worked in the quality of journalist and music critic, of press agent for the various activities I have been involved in, of drafter of concert programes and of editor
Fabrizio Mastroianni's Videos
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Baroffio_12
Added by Fabrizio Mastroianni 0 Comments 0 Likes
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Baroffio_08
Added by Fabrizio Mastroianni 0 Comments 0 Likes
Fabrizio Mastroianni's Blog
131027 D. 30 T.O. Laetetur cor quaerentium Dominum (con BRUDER JAKOB)
Posted on October 26, 2013 at 11:32 1 Comment 2 Likes
131027 D. 30 T.O.
Laetetur cor quaerentium Dominum
La formula iniziale del canto non lascia dubbi sull’impianto della melodia. L’attacco dal grave “LA do re” presenta una peculiarità specifica del II modo (re plagale). Per altre due volte il canto scende al LA quando cadenza a metà della II e della III frase. Dalle profondità abissali del cuore si alza lo sguardo che solleva la persona sino a incontrare il volto di…
ContinueAnalisi dell’introito Ego clamavi 131020 D. 29 T.O.
Posted on October 17, 2013 at 20:14 1 Comment 4 Likes
Analisi dellìintroito "Si iniquitates observaveris" - 131013 D. 28 T.O.
Posted on October 11, 2013 at 14:12 0 Comments 0 Likes
131006 D.27 T.O. - In voluntate tua
Posted on October 3, 2013 at 9:14 1 Comment 1 Like
Anche questo introito non è salmico. Il testo raccoglie espressioni della preghiera del pio Mardocheo in un momento drammatico per la sua vita personale e per il destino d’Israel (Est 4, 17b-). La melodia si snoda per sei righe del Graduale Romanum e rimane compatta in un ambito ristretto. Il canto si muove fondamentalmente su una linea oscillante…
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