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Fabrizio Mastroianni
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  • Terni, (TR)
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Fabrizio Mastroianni's Discussions

Request for advice - Demande de conseil - Antrag auf Beratung - richiesta di consulenza

Started this discussion. Last reply by Fiona McAlpine Feb 2, 2013. 2 Replies

Come è possibile sciogliere le abbreviazioni del motto della famiglia del compositore Asprilio Pacelli (Vasciano di Stroncone, 1566/70 - Varsavia 1623) ?Comment dois-je interpréter les abréviations…Continue

Iter Liturgicum Italicum - Editio Maior & Nomina Codicum

Started Oct 10, 2012 0 Replies

The ASMA - St Michael the Archangel Association - has published two books by Giacomo Baroffio: Iter Liturgicum Italicum - Editio Maior: and Nomina Codicum.Iter Liturgicum Italicum - Editio Maior: is…Continue

Tags: manuscripts, liturgy, paleography, Fractus, Cantus

 

Fabrizio Mastroianni's Page

Latest Activity

Fabrizio Mastroianni replied to Christoph Dohrmann's discussion Old Roman Chant Database and Performance/Recording Project in the group Vieux-Romain
"Dear frind, I proposed what you have just written some years ago to the Roman Municipality; I'm still waiting for an answer... Better not to think what could be the reaction of the Church: I don't know if there's a second chrrch -.…"
Sep 7, 2014
Fabrizio Mastroianni replied to Dominique Gatté's discussion Biblioteca Apostolica Vaticana, Archivio di San Pietro F 11, Orationale de Saint-Pierre de Rome in the group Vieux-Romain
"Quand ma soeur Cristina Mastroianni s'est mariée le 10 Août 2012, nous avons aussi chanté quelques pieces du 'F11 en Chant Vieux Romain ... Le prêtre était père Maurizio Verde, leschanteurs - les…"
Jul 25, 2014
Fabrizio Mastroianni posted a status
"Giacomo Baroffio…"
Jan 28, 2014
Fabrizio Mastroianni posted a blog post

131027 D. 30 T.O. Laetetur cor quaerentium Dominum (con BRUDER JAKOB)

131027 D. 30 T.O. Laetetur cor quaerentium Dominum             La formula iniziale del canto non lascia dubbi sull’impianto della melodia. L’attacco dal grave “LA do re” presenta una peculiarità specifica del II modo (re plagale). Per altre due volte il canto scende al LA quando cadenza a metà della II e della III frase. Dalle profondità abissali del cuore si alza lo sguardo che solleva la persona sino a incontrare il volto di D-i-o: il la acuto accomuna quaerentium e eius (D-i-o).           …See More
Oct 26, 2013
Franz Karl PRASSL commented on Fabrizio Mastroianni's blog post Analisi dell’introito Ego clamavi 131020 D. 29 T.O.
"It would be fine, first to reconstruct the melody (mi-fa etc.)  "
Oct 18, 2013
Fabrizio Mastroianni posted a blog post
Oct 17, 2013
Fabrizio Mastroianni joined fra Innocent Smith, o.p.'s group
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Cantus Ordinis Praedicatorum (Chant dominicain)

Ce groupe est pour la discussion du dialecte dominicaine du chant grégorien.See More
Oct 11, 2013
Fabrizio Mastroianni posted a blog post
Oct 11, 2013
Fabrizio Mastroianni posted a video
Oct 6, 2013
Fabrizio Mastroianni replied to Lila HAJOSI's discussion Articles et éditions critiques de la première "caça" du Livre Vermeil in the group Troubadours, trouvères et autres chants vernaculaires
Oct 6, 2013
Fabrizio Mastroianni replied to Lila HAJOSI's discussion Articles et éditions critiques de la première "caça" du Livre Vermeil in the group Troubadours, trouvères et autres chants vernaculaires
"Oui, je devrais avoir les deux versions - et dire que, avec les filles des  PiccoliRomei, nous n'avons jamais eu à le faire d'une manière acceptable - et donc, instrumental!"
Oct 5, 2013
Stefania Vitale commented on Fabrizio Mastroianni's blog post 131006 D.27 T.O. - In voluntate tua
"Forse è opportuno ricordare, a chi non lo sapesse, che Bruder Jakob è il nostro caro Prof. Giacomo Baroffio, che ringrazio di cuore per questa riflessione; grazie anche al Dott. Fabrizio Mastroianni che ha reso pubblico il documento.…"
Oct 3, 2013
Fabrizio Mastroianni posted a blog post

131006 D.27 T.O. - In voluntate tua

             Anche questo introito non è salmico. Il testo raccoglie espressioni della preghiera del pio Mardocheo in un momento drammatico per la sua vita personale e per il destino d’Israel (Est 4, 17b-). La melodia si snoda per sei righe del Graduale Romanum e rimane compatta in un ambito ristretto. Il canto si muove fondamentalmente su una linea oscillante tracciata dal fa. In due…See More
Oct 3, 2013
Fabrizio Mastroianni replied to Oliver Gerlach's discussion Virginia Brown: Beneventan discoveries, collected manuscript catalogue, 1978-2008 (2012) in the group Beneventan Chant, Ravenna Chant, Norman Chant, the Greek Rite, and the Slavic Rite in Southern Italy and of the Adria
"La cara Professoressa Brown... il membro dell'Associazione San Michele Arcangelo più lontano come sede, e uno dei più vicini come partecipazione... e quanti frammenti nella p-p-preziosissima Beneventana le abbiamo trovato ! Ancora…"
Sep 7, 2013
Fabrizio Mastroianni commented on Dominique Gatté's blog post David Hiley's Western Plainchant: A Handbook (On-line)
"Grazie ! Quante volte l'ho studiato, consultato, citato..."
Sep 4, 2013
Fabrizio Mastroianni posted a blog post

Last week to buy Iter Liturgicum Italicum at the initial price

Dear colleagues, Only one week is lest to buy ITER LITURGICUM ITALICUM - EDITIO MAIOR and NOMINA CODICUM at the initial price. The two books feature the output of fifty years of studies on Italian liturgical manuscripts by Professor Giacomo Baroffio Dank, one of the leading scholars of Liturgical Bibliology, author of more than 600 publications. Such works are essential for any library specialised in any field of Mediaeval musicology, History of Liturgy, History of Libraries, and Palaeography.…See More
Jul 23, 2013

Profile Information

Intérêt principal (principal interest)
Grégorien, Vieux-Romain, Manuscrits (paléographie)
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
I have carried out a cataloguing (with codicological description, dating and description of the liturgical content) of liturgical and liturgical-musical manuscripts (IX-XIX centuries) as well as of manuscript fragments. I have complied data bases of pieces of music of entire musical manuscripts. I also have experience in the cataloguing of modern music manuscripts (1700-1900).
In the course of my work I have made digital photographs of thousands of manuscript fragments as well as many complete codices.
I studied Gregorian Chant and vocal training,
I was the creator and main author of an on-line course in Gregorian Chant.
I am the director of a children choir specialized in Gregorian Chant - as well in medieval chants with instruments (playing synphonia, portable organ and other insturments).
I have transcribed in modern notation Gregorian chants as well as pieces in Canto Fratto or in polyphony, and I have sung, taught and directed them, supplying the translation of the original texts in verse or prose.
I have experience in fund-raising, and admistration of courses and didactic activities, meetings, as artistic director of concert seasons, the drafting of business plans and financial reports.
I collaborated in the sound-editing of our 4 CDs.
I have also worked in the quality of journalist and music critic, of press agent for the various activities I have been involved in, of drafter of concert programes and of editor
Site Web ?
http://www.cantusgregorianus.it, www.piccoliromei.it

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131027 D. 30 T.O. Laetetur cor quaerentium Dominum (con BRUDER JAKOB)

Posted on October 26, 2013 at 11:32 1 Comment

131027 D. 30 T.O.

 

Laetetur cor quaerentium Dominum

 

            La formula iniziale del canto non lascia dubbi sull’impianto della melodia. L’attacco dal grave “LA do re” presenta una peculiarità specifica del II modo (re plagale). Per altre due volte il canto scende al LA quando cadenza a metà della II e della III frase. Dalle profondità abissali del cuore si alza lo sguardo che solleva la persona sino a incontrare il volto di…

Continue

131006 D.27 T.O. - In voluntate tua

Posted on October 3, 2013 at 9:14 1 Comment

 

            Anche questo introito non è salmico. Il testo raccoglie espressioni della preghiera del pio Mardocheo in un momento drammatico per la sua vita personale e per il destino d’Israel (Est 4, 17b-). La melodia si snoda per sei righe del Graduale Romanum e rimane compatta in un ambito ristretto. Il canto si muove fondamentalmente su una linea oscillante…

Continue

Comment Wall (2 comments)

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At 21:30 on January 2, 2012, Dominique Gatté said…

Bienvenue sur Musicologie Médiévale !!!

Et Bonne Année 2012 !!!

At 7:30 on January 1, 2012, Père Jacques-Marie Guilmard said…

Bienvenue.

 
 
 

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