Musicologie Médiévale

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IEGOR REZNIKOFF
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IEGOR REZNIKOFF's Friends

  • Enrique Merello-Guilleminot
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  • Geert Maessen
  • Dominique Crochu
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IEGOR REZNIKOFF's Page

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IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"Yes, it makes sense. We settle this soon (I call)."
Jan 8
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"(partial answer) I didn't mean that in the manuscript the salicus is on E F F+; it was simply a remark and this prooves that E-F is a larg interval, actually E-F+. Following the manuscript, it could be on D E F+ and then G A G (toculus); or E F…"
Jan 4
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"Starting from D, D-E (10/9), E-F+ (11/10), F+-G+ (9/8) flexible, D-G+= C-F+ (11/8). Now, what do you mean by "fourth species of the fifth"? In which scale D or E? For the main question, what notes or what echema do you choose? I can't…"
Jan 1
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"Sorry, I missed the word 'descend'."
Dec 30, 2017
IEGOR REZNIKOFF replied to Geert Maessen's discussion Venient ad te in the group Chant wisigothique/Mozarabe/Hispanique
"I'm very happy to discover and impressed by this latin version of the Cherubikon. By the way, I remember discussing about it with M. Huglo, that he said that it was sometimes, at least in the Western tradition, sung as a trecanon, that is in…"
Dec 30, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"I certainly would choose the high fourth, given if starting from C, by the interval C - F+ (11/8) or starting from D, D - G+ (99/64). But it doesn't make a tritone, it is, starting from C, between F and F#. To return to the (pure) E mode, E - F…"
Dec 30, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"When speaking of ancient intervals, based on the sequence of harmonics (overtones), the fundamental tone is supposed, theoretically, to be C (the pitch is irrelevant). Then, the fifth G, is the third harmonic and 3/2 of the height of C; E, the…"
Dec 29, 2017
IEGOR REZNIKOFF replied to Geert Maessen's discussion Venient ad te in the group Chant wisigothique/Mozarabe/Hispanique
"The point is that if we want to be really serious concerning interpretation, we have to return to ancient scales and not as it is always done, sing in the tempered scale. It is what I have done for more than 40 years. Among other performers, only M.…"
Dec 21, 2017
IEGOR REZNIKOFF replied to Geert Maessen's discussion Venient ad te in the group Chant wisigothique/Mozarabe/Hispanique
"Dear Geert, It would be good to meet and give examples (for intervals, neums, etc.), orally, otherwise, it's just words. Maybe sometime next year in Holland (in the past and last year, I had workshops and concerts in Holland) or at some…"
Dec 20, 2017
IEGOR REZNIKOFF replied to Geert Maessen's discussion Venient ad te in the group Chant wisigothique/Mozarabe/Hispanique
"It is a pity - regardless of the authenticity of the deciphering - that it is so badly sung: a pitiful Solesmes manner for an Iberic chant of High Medieval times; impossible!"
Dec 18, 2017
IEGOR REZNIKOFF joined Dominique Gatté's group
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Chant wisigothique/Mozarabe/Hispanique

Groupe d'échange sur le répertoire wisigothique/mozarabeAdministrateurs du groupe:Juan Carlos ASENSIODominique GATTESee More
Dec 18, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"In the great Western repertory which - because of the high mastering of modal intervals, melodic formulae, words, vowels, etc. - belongs to the Gallo-Roman antiquity (IV-VI c.), I understand the modes more in the Indo-European harmonic way. Namely…"
Dec 16, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"First, I have to read carefully your paper. I don't have the book and don't plan to buy it; is it possible to ask you to send me the paper?"
Dec 13, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"Concerning suggestions, I have to return to the matter; it's a long while I havn't worked on. But I shall try."
Dec 12, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"I see that you master this questions of intonations and modes quite well. As to the natural third (5/4), it can be shown that it was the main third in the G mode (while in F mode, it is clearly the Pythagorean which moreover was the theoretical…"
Dec 11, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in the group Mélos et ses microtones
"Dear Oliver, To understand how to possibly sing the intonations like AIANEOEANE, we need first to know a little about the pronounciation in singing in these Byzantine times; following Christian Hannick, with whom I discussed the matter many years…"
Dec 10, 2017

Profile Information

Intérêt principal (principal interest)
Grégorien, Vieux-Romain, Hispanique, Ambrosien, Liturgie, Manuscrits (paléographie)
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
- Le Chant des Gaules sous les Carolingiens, in Haut Moyen-Age, culture, éducation et société, Etudes offertes à Pierre Riché, Paris (éd. Erasme) 1990, p.323-341.
- Le Chant des Gaules avant les Carolingiens, Rerum gestarum scriptor. Histoire et historiographie au Moyen Âge, Mélanges Michel Sot, PUPS (Presses Universitaires Paris Sorbonne), Paris 2012, p.611-618.
- Transmission orale, transmission écrite : le chant chrétien antique, in , in Vivre et transmettre la tradition dans Connaissance des Religions, n °69-70, p.191-210, Paris, juillet – décembre 2003.
CD - Alleluias et Offertoires des Gaules, Harmonia Mundi 1980 (CD 1989).
CD - Le Chant du Mont Saint-Michel (avec une étude sur la résonance romano-gothique de l’église abbatiale), Studio SM, Paris, 2001.
Site Web ?
http://ecoledelouange.free.fr

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At 22:22 on December 20, 2015, Alfonso Pérez said…

Bienvenido, maestro.

At 20:36 on March 11, 2015, Dominique Crochu said…

Bienvenue !

 
 
 

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