"Yes Dominique, I agree this is one coherent group (and one almost completely unstudied from every musical point of view), although if the oldest of the three Assisi mss is dated 1224 as I read from the description, then it antecedes Nicholaus…"
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giulio minniti replied to Dominique Gatté's discussion V-CVbav Vat.lat.8737 (Online) in the group Répertoire des manuscrits médiévaux notés
giulio minniti replied to Dominique Gatté's discussion V-CVbav Vat.lat.8737 (Online) in the group Répertoire des manuscrits médiévaux notés
"Merci Dominique!Vraiment c'est le Beneventan music script, by and large... on the top of NON-Beneventan textual script! All the scribes working under this mixture premise do not bother much about directionality (Kelly's so called…"
giulio minniti replied to Dominique Gatté's discussion Online : Missel de Montecassino du XIIème S. (BAV, Vat.Lat.6082) in the group Beneventan Chant, Ravenna Chant, Norman Chant, the Greek Rite, and the Slavic Rite in Southern Italy and of the Adria
"A veritable chef d'oeuvre de notation Type 3. Merci pour la réference, Dominique!"
giulio minniti joined Dominique Gatté's group
Répertoire des manuscrits médiévaux notés
Description des manuscrits notés en lignePage en relation avec la "Base Manuscrit Internet" de GregofacsimilSee More
giulio minniti commented on GOUDESENNE's blog post Cantus Planus Telc 15-19/2020 : Seeking Contributors for Paleofrankish Notations ?
"I'd definitely be interested in knowing more! Giulio"
giulio minniti replied to Dominique Gatté's discussion Fragment of Bari missal on sale in the group Beneventan Chant, Ravenna Chant, Norman Chant, the Greek Rite, and the Slavic Rite in Southern Italy and of the Adria
"Tom, tell the guys at Houghton to buy this one!"
Profile Information
- Intérêt principal (principal interest)
- Grégorien, Ars nova, Vieux-Romain, Liturgie, Théorie musicale, Manuscrits (paléographie)
- Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
- Musicology student with a strong twist on chant, oh.. and sacred renaissance poliphony too
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