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pavlos erevnidis
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pavlos erevnidis replied to Dominique Gatté's discussion New C9/10th noted missal fragment from Laon in the group Neumes et paléographie
"Καλημέρα, Punctum: it is not exactly «à mettre le punctum plus en évidence» (or not) in general, but we should focus especially on the 3 cases where two consecutive ascending ones are…"
Jan 31
pavlos erevnidis replied to Dominique Gatté's discussion C. Meyer, Le vocabulaire du son, du chant et de l’ars musica dans le dictionnaire de Papias in the group Thesaurus musicarum
"Today I saw at Academia the text of Michal Featherstone, The Everyday Palace in the Tenth Century In: M. Featherstone--J.-M. Spieser--G. Tanman--U, Wulf-Rheidt (ed.), The Emperor's House: Palaces from Augustus to the Age of Absolutism [Urban…"
Jan 5
pavlos erevnidis replied to Dominique Gatté's discussion Les sources de la notation bretonne in the group Répertoire des manuscrits médiévaux notés
"There are also available online the f. 1v & f.42r of the Leiden, Bibliotheek der Rijksuniversiteit BPL 25. You can select it here:   https://socrates.leidenuniv.nl/R/TJ382VD57DMJES1H8DKNPHN3RLJE54J446UPYM3DVITR6LV6M2-00374 or…"
Oct 4, 2016
pavlos erevnidis replied to Olivier Féraud's discussion déchiffrage paléographique : Ms de Montecassino in the group Cordophones médiévaux
"Καλημέρα, α) εγώ, πάντως, θα περιμένω για έστω και ένα ακόμα παράδειγμα οργάνου (από την κεντρική ή βόρεια…"
Sep 28, 2016
pavlos erevnidis replied to Olivier Féraud's discussion déchiffrage paléographique : Ms de Montecassino in the group Cordophones médiévaux
"Dear Olivier, sorry for the reiteration, but as the iconography of musical instruments is really a puzzling topic (there are so many possibilities in the interpretation) you (or anybody else) find something relative to the evolution of Lyra, please…"
Sep 28, 2016
pavlos erevnidis replied to Olivier Féraud's discussion déchiffrage paléographique : Ms de Montecassino in the group Cordophones médiévaux
"Dear Olivier Féraud, α) As the subject of Lyra is of my direct interest, I would be grateful if you, or anybody else, suggest me even one more similar case of an instrument which the musician keeps it in upright position (not sideways…"
Sep 27, 2016
pavlos erevnidis replied to Olivier Féraud's discussion déchiffrage paléographique : Ms de Montecassino in the group Cordophones médiévaux
"Although for the α) perhaps there is a problem in the representation of the bow, or long plectrum."
Sep 26, 2016
pavlos erevnidis replied to Olivier Féraud's discussion déchiffrage paléographique : Ms de Montecassino in the group Cordophones médiévaux
"Αγαπητοί φίλοι, α) The Cythara that Asaph plays in Amiens, Bibl. mun., ms. Lescalopier 002 is a type of a bowed instrument that in Greece nowadays we call… Lyra. For a 12th…"
Sep 26, 2016
pavlos erevnidis joined Olivier Féraud's group
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Cordophones médiévaux

Ce groupe de discussion est dédié à l'ensemble des instruments à cordes de la période médiévale (frottés, pincées, claviers...). Il rassemble musicologues, philologues, musiciens, luthiers et amateurs autours de questions relatives à l'identification, la typologie, l'archéologie musicale, les sources iconographiques et littéraires, ainsi qu'à la pratique et au répertoire, liés aux cordophones médiévaux.See More
Sep 26, 2016
pavlos erevnidis joined Alberto Diaz-Blanco's group
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Enregistrements de la musique grégorienne et médiévale

Groupe dédié à tout ce qui concerne les enregistrements de chants liturgiques médiévaux (grégorien, mozarabe, ambrosien, romain, bénéventain...) ainsi que d'autres répertoires médiévaux religieux.See More
Jul 15, 2016
pavlos erevnidis replied to Dominique Gatté's discussion The oldest sources of Laon/Les plus anciennes sources de Laon in the group Neumes et paléographie
"and if not exactly damaged then ... "errased" or lost."
Jun 26, 2016
pavlos erevnidis replied to Dominique Gatté's discussion The oldest sources of Laon/Les plus anciennes sources de Laon in the group Neumes et paléographie
"Or, if acceptable, by using the infrared or ultraviolet methods of reproduction, as well as of – at least – the damaged parts of L 239 (its “Alleluiary,” for example). One can see also the black-white reproduction…"
Jun 26, 2016
pavlos erevnidis joined Dominique Gatté's group
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Neumes et paléographie

Groupe de discussions et de recherches autours des notations neumatiques avec ou sans lignes jusqu'au XIIème siècle.Ce groupe est aussi ouvert aux discussions sur la paléographie d'une manière général jusqu'au XIIème siècle.See More
Jun 26, 2016
pavlos erevnidis joined Dominique Gatté's group
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Thesaurus musicarum

Groupe sur la théorie musicale et ses sources.See More
Jun 23, 2016
pavlos erevnidis replied to Dominique Crochu's discussion Un mi bémol dans le manuscrit de Tolède 44-2 in the group Restitutions melodiques
"Υπονοείτε κάτι ;"
Feb 19, 2016
pavlos erevnidis replied to Dominique Crochu's discussion Un mi bémol dans le manuscrit de Tolède 44-2 in the group Restitutions melodiques
"Ευχαριστώ και εγώ για τη νέα σας (ξανά σε…"
Feb 18, 2016

Profile Information

Intérêt principal (principal interest)
Théorie musicale
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Modalité et son historiographie

Comment Wall (4 comments)

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At 12:08 on February 3, 2016, Oliver Gerlach said…

Dear Pavlos

How shall I know that your family is from Cappadocia?

To be honest, I was not alluding to you, but there are many Greeks who were forced to leave Turkey, also many Archon Protopsaltes like Leonidas Sphekas, Thrasyvoulos Stanitsas, and Demosthenis Païkopoulos...

Why don't you open a discussion about the hyphos in Constantinople in the Byzantine group?

I would really appreciate it.

I see no relevance to the discussion of Cardine's séméologie, except that I did this comparison to imagine, how it would be, if there were several living traditions for Latin monodic chant which could be referred to a medieval past. This is the reason, why I answer you outside this discussion.
See you soon!Oliver

At 10:43 on February 3, 2016, Oliver Gerlach said…

Dear Pavlos

Let us continue this discussion in the Byzantine group (since I deal right there with a "pre-interpretation" of Al-Kindi's braid).

If you just through some keywords in the round without explaining yourself, how can I understand you, even if I tried?

At 12:12 on January 13, 2010, pavlos erevnidis said…
Je vous remercie et καλώς σάς βρήκα.
At 11:25 on January 13, 2010, Dominique Gatté said…
Kαλωσορίζω !!!
 
 
 

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