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October 2013 Blog Posts (6)
In memoriam : Christian Brassy
Nous venons d'apprendre la triste nouvelle du décès de Christian Brassy, retrouvé chez lui inanimé la semaine dernière.
Christian Brassy à beaucoup œuvré pour la partage des connaissances des Musiques Médiévales à travers son forum et son portail : http://www.musiques-medievales.eu
Notre équipe (Grégofacsimil) a débuté ses premiers échanges sur son forum avant l'ouverture de ce réseau.
Merci Christian…
ContinueAdded by Dominique Gatté on October 28, 2013 at 20:00 — 10 Comments
131027 D. 30 T.O. Laetetur cor quaerentium Dominum (con BRUDER JAKOB)
131027 D. 30 T.O.
Laetetur cor quaerentium Dominum
La formula iniziale del canto non lascia dubbi sull’impianto della melodia. L’attacco dal grave “LA do re” presenta una peculiarità specifica del II modo (re plagale). Per altre due volte il canto scende al LA quando cadenza a metà della II e della III frase. Dalle profondità abissali del cuore si alza lo sguardo che solleva la persona sino a incontrare il volto di…
ContinueAdded by Fabrizio Mastroianni on October 26, 2013 at 11:32 — 1 Comment
Analisi dell’introito Ego clamavi 131020 D. 29 T.O.
Added by Fabrizio Mastroianni on October 17, 2013 at 20:14 — 1 Comment
Analisi dellìintroito "Si iniquitates observaveris" - 131013 D. 28 T.O.
Added by Fabrizio Mastroianni on October 11, 2013 at 14:12 — No Comments
MEM (Music in the Middle Ages. Mediaeval Music Bibliographical Bulletin) is looking for new contributors!
For further information on the Sesto Corso Internazionale di Formazione sulla Musica nel Medioevo (Florence, 2-6 December 2013), please read the announcement and the application form!…
ContinueAdded by Antonio Calvia on October 11, 2013 at 8:32 — 2 Comments
131006 D.27 T.O. - In voluntate tua
Anche questo introito non è salmico. Il testo raccoglie espressioni della preghiera del pio Mardocheo in un momento drammatico per la sua vita personale e per il destino d’Israel (Est 4, 17b-). La melodia si snoda per sei righe del Graduale Romanum e rimane compatta in un ambito ristretto. Il canto si muove fondamentalmente su una linea oscillante…
ContinueAdded by Fabrizio Mastroianni on October 3, 2013 at 9:14 — 1 Comment
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