italobyzantine - Musicologie Médiévale2024-03-28T13:25:41Zhttps://gregorian-chant.ning.com/group/benevent/forum/topics/feed/tag/italobyzantineFragment d'un sacramentaire en écriture bénéventaine à Grottaferratahttps://gregorian-chant.ning.com/group/benevent/forum/topics/fragment-d-un-sacramentaire2021-06-18T19:14:39.000Z2021-06-18T19:14:39.000ZDominique Gattéhttps://gregorian-chant.ning.com/members/GATTE<div><p>Le manuscrit Q 57 sup. de la <em>Biblioteca Ambrosiana</em> de Milan est un Sticheraria noté de l'abbaye de Grottaferrata où se trouve en garde inférieure un fragment d'un sacramentaire pouvant être originaire de Montecassino.</p><p><a href="http://213.21.172.25/0b02da828026e655" target="_blank"><img class="align-full" src="{{#staticFileLink}}9111990460,RESIZE_710x{{/staticFileLink}}" alt="9111990460?profile=RESIZE_710x" /></a></p><p><a href="http://213.21.172.25/0b02da828026e655" target="_blank"><img class="align-full" src="{{#staticFileLink}}9111991277,RESIZE_710x{{/staticFileLink}}" alt="9111991277?profile=RESIZE_710x" /></a></p><p> </p><p><a href="http://213.21.172.25/0b02da828026e655">http://213.21.172.25/0b02da828026e655</a></p><p> </p></div>Doctoral thesis about medieval source evidence of Byzantine Sardinia (Michele Orrù, Cagliari 2013)https://gregorian-chant.ning.com/group/benevent/forum/topics/doctoral-thesis-about-medieval-source-evidence-of-byzantine2020-01-19T10:57:38.000Z2020-01-19T10:57:38.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Orrù, Michele. «Le fonti greche di età bizantina per lo studio della Sardegna altomedievale (VI-XII secolo).» PhD, Università degli Studi di Cagliari, 2013. <a href="https://www.academia.edu/30139530" target="_blank">academia.edu</a></div></div><p> </p><p><strong>Abstract—</strong>This work aims to offer a collection of Greek sources concerning Sardinia between the sixth and twelfth century. The first part is an introductory essay that illustrates the problems related to the investigation of the "Byzantine Sardinia" and summarizes the data obtained from the collected sources. The second part contains the sources with commentary and bibliography; they have been classified according three main categories: literary sources; documentary sources; epigraphic sources.</p></div>Doctoral thesis with edition of Nikolaos Nektarios' (Hegoumenos at Mone Kasoulon) «Κατὰ Ἰουδαίων» (1230)https://gregorian-chant.ning.com/group/benevent/forum/topics/doctoral-thesis-with-edition-of-nikolaos-nektarios-higoumenos-at2020-01-19T09:33:35.000Z2020-01-19T09:33:35.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Hoffmann, Lars Martin.«Der antijüdische Dialog Kata Iudaion des Nikolaos-Nektarios von Otranto: Editio princeps, Einführung und Kommentar.» Dr. phil., Johannes Gutenberg-Universität Mainz, 30 January 2008. URN: <a href="http://nbn-resolving.de/urn:nbn:de:hebis:77-41079" target="_blank">urn:nbn:de:hebis:77-41079</a>.</div><p> </p><div class="csl-entry"><strong>Abstract</strong>—Im Zentrum der Arbeit steht die Edition einer griechischen, antijüdischen Disputation, die nach dem hier dargelegten Ansatz um das Jahr 1230 entstanden ist. Der Text wurde bislang immer dem byzantinischen Kulturkreis zugeordnet, obwohl sein Entstehungsgebiet, d.h. das süditalienische Salento, zu diesem Zeitpunkt bereits seit etwa 170 Jahren nicht mehr zu Byzanz gehörte, sondern Teil des normannischen bzw. normannisch-staufischen Herrschafts-gebietes war. Allerdings war damals das Griechische, insbesondere im südlichen Teil des Salento, noch die Sprache der Bevölkerungsmehrheit, aus der bis zur ersten Hälfte des 13. Jahrhunderts ein blühendes, griechischsprachiges Mönchtum hervorgegangen war. Diesem gehörte der Autor des hier vorgelegten Textes an, der von 1219 und womöglich bis zu seinem Tod im Jahr 1235 Abt des Nikolaos-Klosters von Casole (bei Otranto) war. In diesem Kloster »arbeiteten« zwar Mönche sowohl aus dem lateinischen, als auch dem griechischen Hintergrund, doch wurde dort seit Gründung immer ein »Grieche« (der selbstverständlich auch die lateinische Sprache beherrschte!) zum Abt gewählt. Aufgrund der damals hervorragenden finanziellen Ausstattung des Klosters besaß man dort eine sehr große Bibliothek, auf deren Grundlage Nikolaos-Nektarios seinen Text sehr wohl erstellen konnte. Der eigentlichen kritischen Edition mit Text- und Quellen-apparat geht (1) eine Einleitung voran, die u.a. den Stand der Forschung wiedergibt und in einem aus sachlichen Gründen erforderlich gewordenen Nachtrag auf einige lit. Neuerscheinungen hinweist. In Teil (2) folgen eingehende Hinweise zum Leben unseres Autors sowie zu seinem umfangreichen literarischen Werk. Beides steht auf der Grundlage der noch immer maßgeblichen Abhandlung von J. Hoeck/R. Loenertz, Nikolaos-Nektarios von Otranto, Abt von Casole. Ettal 1965. Gegenüber Hoeck und Loenertz werden einige Aspekte zu Leben und Werk des Autors nachgearbeitet bzw. genauer dargelegt, die neuere wiss. Literatur wurde dazu entsprechend ausgewertet. Teil (3) befasst sich mit dem Text als solchem und handelt von der handschriftlichen Überlieferung, dem Aufbau der gesamten Disputation (sieben einzelne <em>Dialexeis</em> an vier Verhandlungstagen) sowie von ihrer Datierung. Dabei wird davon ausgegangen, dass <em>Kata Iudaion</em> a priori als ein literarischer Text konzipiert wurde, auch wenn es sehr wohl einzelne theologische Kontroversen zwischen unserem Autor und jüdischen Rabbinern in Otranto (oder anderswo) gegeben haben könnte. In Teil (4) soll die Schrift daher in den Kontext des jüdischen Lebens im Salento des 13. Jahrhunderts eingeordnet werden, während in Teil (5) mögliche Bezüge zu vergleichbaren Texten aus dem Bereich der byzantinischen Literatur untersucht werden. Auf dieser Grundlage befasst sich Teil (6) mit Quellenzitaten, auf die Nikolaos-Nektarios zurückgriff, und sucht mögliche Textvorlagen, die er für <em>Kata Iudaion</em> benutzt haben könnte. Teil (7) mit Bemerkungen zur Textkonstitution schließt diese einführenden Hinweise ab. In sachlicher Hinsicht ergibt sich aus dem Gesagten, dass der gesamte Text einen eindeutig apokalyptischen Hintergrund besitzt. Dies ist auch aus zeithistorischer Perspektive plausibel, denn sehr große Teile des süditalienischen Mönchtums standen damals unter dem Eindruck des Joachim von Fiore, nach dessen Weltsicht im Jahr 1260 das sog. »Zeitalter Christi« ein Ende finden sollte, bevor danach das alle Menschen (und Christen!) vereinende, sog. »Zeitalter des [Heiligen] Geistes« einsetzen würde. Eine der Prämissen dafür, dass letzteres überhaupt eintreten könne, sei eine erfolgreiche Judenmission. Von daher verfassten Joachim von Fiore und seine Anhänger seit der Wende vom 12. zum 13. Jahrhundert verstärkt Schriften zum Zweck der Bekehrung von Juden. Einer dieser Texte des Joachim wurde nun von Nikolaos-Nektarios ausgewertet und auszugsweise auch aus dem lateinischen übersetzt, um als Grundgerüst für den ersten Verhandlungstag zu dienen, der etwa zwei Drittel des gesamten Textbestands von <em>Kata Iudaion</em> ausmacht. Selbst-verständlich finden sich auch Bezüge zur byzantinischen antijüdischen Literatur. Doch handelt es sich dabei zumeist nicht um Zitate, sondern um motivische Anklänge, wie sie auch im Bereich der lateinischen Literatur des Mittelalters begegnen (Gerhoch v. Reichersberg, Pedro Alphonsi u.a.m.) können. Neu gegenüber dem bisherigen Stand der Forschung ist jedoch für unseren Text der Hinweis auf seinen eindeutig apokalyptischen Bezug. Dabei ist <em>Kata Iudaion</em> wohl weniger dem übergeordneten Kontext der byzantinischen Literatur zuzuordnen, sondern darf als einer der wenigen erhalten, griechischen Texte des lateinischen Mittelalters angesehen werden.</div><p> </p><div class="csl-entry"><strong>Source:</strong> Paris, Bibliothèque nationale de France, fonds grec, ms. <a href="https://gallica.bnf.fr/ark:/12148/btv1b10723948w" target="_blank">1255</a>. <br /> XIII • Nicholas Hydrountinos’ dialogue treatise “About Jews” (end is missing), incomplete collection of homiletic writings about baptism and the cult around St Stephen Protomartyre. First part is dated by Hoffmann end of 13th century, second part early 13th century.</div></div></div>Letteratura su dell'Abbazia San Giovanni Theristis e della Cattolica di Stilo (due monumenti bizantini in Calabria)https://gregorian-chant.ning.com/group/benevent/forum/topics/letteratura-su-dell-abbazia-san-giovanni-theristus-e-della2019-06-03T16:39:45.000Z2019-06-03T16:39:45.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p><strong>Abbazia San Giovanni Theristis vicino Bivongi<br /> </strong></p><p><strong><a href="http://sangiovannitheristis.it/" target="_blank"><img class="align-center" src="http://sangiovannitheristis.it/web/uploads/2016/06/parte-absidale.jpg?profile=RESIZE_710x" alt="parte-absidale.jpg?profile=RESIZE_710x" /></a></strong></p><ul><li class="csl-entry">Fiorenza, Elia, & Nicola Giudice. <a href="http://cab.unime.it/journals/index.php/hum/article/view/1975" target="_blank">„San Giovanni Theristis. Una basilica bizantina in epoca normanna.“</a> <em>Humanities</em> 7, Nr. 1 (Oktober 17, 2018): 47–80. doi:<a href="https://doi.org/10.6092/2240-7715/2018.1.47-80" target="_blank">10.6092/2240-7715/2018.1.47-80</a>.</li></ul><p> </p><p><strong>Cattolica di Stilo</strong></p><p><strong><a href="https://cdn.swisscows.com/image?url=https%3A%2F%2Fturismo.reggiocal.it%2Fsites%2Fdefault%2Ffiles%2F2019-10%2Fgalleria_9_cattolica_stilo.jpg" target="_blank"><img class="align-center" src="https://cdn.swisscows.com/image?url=https%3A%2F%2Fturismo.reggiocal.it%2Fsites%2Fdefault%2Ffiles%2F2019-10%2Fgalleria_9_cattolica_stilo.jpg" alt="image?url=https%3A%2F%2Fturismo.reggiocal.it%2Fsites%2Fdefault%2Ffiles%2F2019-10%2Fgalleria_9_cattolica_stilo.jpg" /></a></strong></p><ul><li class="csl-entry">Cuteri, Francesco A. „La Chatolica antiqua e il Kastron di Stilo: note archeologiche e topografiche.“ <em>Vivarium Scyllacense</em> 8, Nr. 2 (1997): 59–90. <a href="https://www.academia.edu/1364421" target="_blank">academia.edu</a>.</li><li class="csl-entry">Fortunato, Giuseppe. „La Cattolica di Stilo: Rilievi e rilettura di un’architettura colta della Calabria bizantina.“ In <em>Quattro architetture religiose della Calabria medievale</em>, 9–62. Roma: Aracne, 2018. <a href="https://www.academia.edu/38404654" target="_blank">academia.edu</a>.</li><li class="csl-entry">Zago, Francesca. “<a href="http://www.doiserbia.nb.rs/Article.aspx?ID=0350-13610933043Z" target="_blank">La Cattolica di Stilo</a>.” <em>Zograf</em> 33 (2009): 43–61. doi:<a href="https://doi.org/10.2298/ZOG0933043Z" target="_blank">10.2298/ZOG0933043Z</a>.</li></ul></div>The first manuscripts of the collection Fondo SS. Salvatore are onlinehttps://gregorian-chant.ning.com/group/benevent/forum/topics/the-first-manuscripts-of-the-collection-fondo-ss-salvatore-are2019-05-21T10:49:21.000Z2019-05-21T10:49:21.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Please visit the page of the Regional and University Library “Giacomo Longo” of Messina:</p><p><a href="http://www.bibliome.it/?s=Ms.Gr" target="_blank">http://www.bibliome.it/?s=Ms.Gr</a></p><p>These manuscripts are not described in <a href="http://gregorian-chant.ning.com/group/benevent/forum/topics/donatella-bucca-catalogo-dei-manoscritti-musicali-greci-del-ss" target="_blank">Bucca’s catalogue</a>, because they have no musical notation.</p><p>I am looking forward to further publications there.</p></div>Triodion e pentecostarion italiano (Barb. gr. 411)https://gregorian-chant.ning.com/group/benevent/forum/topics/triodion-e-pentecostarion-italiano-barb-gr-4112019-02-23T18:50:35.000Z2019-02-23T18:50:35.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Per Dominique:</p><p><strong><a href="https://digi.vatlib.it/view/MSS_Barb.gr.411" target="_blank">Barb. gr. 411</a></strong></p><p style="text-align:center;"><strong><a href="https://digi.vatlib.it/view/MSS_Barb.gr.411/0084" target="_blank"><img class="align-center" src="{{#staticFileLink}}1188097488,RESIZE_710x{{/staticFileLink}}" alt="1188097488?profile=RESIZE_710x" /></a></strong></p><p style="text-align:center;">Lo sticheron ὄτε τῷ <span class="st">σταυρῷ προσήλωσαν</span> nell’ichos devteros (f.40v)</p><p>XIII • Triodion e pentecostarion (incompleto) con la notazione onziale mediobizantina.</p><p>descrizione:</p><ul><li>triodion (ff.1r-47r) cominciando con la seconda parte del prosomion μετανοῖας ὁ καῖρος (ichos plagios tetartos enarmonico), qualche pagini erano rimoti dopo f.3v, ἡ ἀκολουθία τῶν ἁγίων παθῶν (f.29v);</li><li>pentecostarion (f.47r-62) finisce con lo sticheron ἀναλαμμανομένου σου χριστὲ nel mesos devteros (quinta settimana dell'Ascensione del Signore).</li></ul><p>Guardate anche l'<a href="http://gregorian-chant.ning.com/group/byzantin/forum/topics/two-kontakaria-at-the-vatican-library" target="_blank">annuncio dei contacaria italiani</a> nel gruppo bizantino.</p></div>Articolo francese sulla storia dell'Archimandritato Sant' Elia di Carbonehttps://gregorian-chant.ning.com/group/benevent/forum/topics/articolo-francese-sulla-storia-dell-archimandritato-san-elia-di2017-02-07T00:46:49.000Z2017-02-07T00:46:49.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Lorenzo, A.D., Martin, J.-M. & Peters-Custot, A., 2016. Le monastère de S. Elia di Carbone, ses archives et l’histoire de la Basilicate médiévale. <em>Mélanges de l’École française de Rome - Moyen Âge</em>, (128-2). DOI:<a href="http://dx.doi.org/10.4000/mefrm.3318" target="_blank">10.4000/mefrm.3318</a>.</div></div><p> </p><p style="text-align:center;"><strong><a href="{{#staticFileLink}}3797464600,original{{/staticFileLink}}" target="_blank"><img class="align-center" src="{{#staticFileLink}}3797464600,RESIZE_710x{{/staticFileLink}}" alt="3797464600?profile=RESIZE_710x" /></a></strong>The monastery was destroyed during the Napoleonic wars, only a ruin is left today</p><p><strong>Abstract</strong></p><p><span lang="en" xml:lang="en">The Greek monastery of St-Elias and St-Anastasius of Carbone was founded at the end of the 10th century, when Greek monks came from Calabria and set up in Basilicata. King William II promoted its abbot to archimandrite of the Greek monasteries of Basilicata. It declined in the 13th and 14th centuries, gradually lost its Greek character and since 1474 was submitted to commendatory abbots. The commendatory abbots Giulio Antonio Santoro, Paolo Emilio Santoro and Giovanni Battista Pamphili, who ruled the monastery from 1570 to 1644, and Pietro Menniti, general abbot of the Basilian order at the end of the 17th century, permitted to preserve many Greek and Latin deeds from the 11th century to the beginning of the modern age ; these documents (originals, copies, translations) are scattered in the Archivio Doria Pamphili (Rome), the fondo Basiliani of the Archivio Segreto Vaticano and other archives, or preserved in ancient editions (in particular in the book of P. E. Santoro). The oldest part of the collection was published in 1928-1930 by Gertrude Robinson, but in a very unsatisfactory edition. Walther Holtzmann and Gastone Breccia published some deeds. We propose to give a complete scientific edition of all the Greek and Latin deeds of this bilingual collection, the most important for the history of medieval Basilicata and of the Greek monasticism in Italy.</span></p></div>Convegno internazionale (Palermo, 26-28 maggio 2016): Ritrovare Bisanziohttps://gregorian-chant.ning.com/group/benevent/forum/topics/convegno-internazionale-palermo-26-28-maggio-2016-ritrovare2016-05-21T07:17:30.000Z2016-05-21T07:17:30.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p><strong>Ritrovare Bisanzio.</strong></p><p><strong>Giornate di studio sulla civiltà bizantina in Italia meridionale e nei Balcani dedicate alla memoria di André Guillou</strong></p><p><strong>Convegno internazionale (Palermo, 26-28 maggio 2016)</strong></p><p><a href="https://www.academia.edu/25489028/" target="_blank">Flyer</a></p><p>Gruppi tematici:</p><p>- Fonti e documenti</p><p>- Ideologia politica e pratiche di governo</p><p>- Cultura materiale e valori estetici</p><p>- Religione e spiritualità</p></div>Sicily: Culture and Conquest (The British Museum, April 21–August 14, 2016)https://gregorian-chant.ning.com/group/benevent/forum/topics/sicily-culture-and-conquest-the-british-museum-april-21-august-142016-04-26T11:56:50.000Z2016-04-26T11:56:50.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p><a href="http://www.britishmuseum.org/whats_on/exhibitions/sicily/events.aspx" target="_blank">http://www.britishmuseum.org/whats_on/exhibitions/sicily/events.aspx</a></p><p><a target="_blank" href="http://www.britishmuseum.org/whats_on/exhibitions/sicily.aspx"><img class="align-center" src="http://www.britishmuseum.org/images/mosaic_sicily.jpg" alt="mosaic_sicily.jpg" /></a></p><p>Sicily has been shaped by waves of conquest and settlement by different peoples over 4,000 years. Since the 8th century BC, Phoenicians, Greeks, Romans, Byzantines, Arabs and Normans all settled or invaded the island, lured by its fertile lands and strategic location. Over time, this series of conquests forged a cultural identity unlike any other.</p><p>This exhibition tells Sicily’s fascinating stories – from the arrival of the Greeks and their encounters with the Phoenicians and other settlers, to the extraordinary period of enlightenment under Norman rule in the 11th to 13th centuries.</p><p>For much of its history, Sicily was admired and envied for its wealth, cultural patronage and architecture. In the exhibition, ancient Greek sculpture, architectural decorations from temples, churches and palaces, early coinage, stunning gold jewellery, and Norman mosaics and textiles demonstrate Sicily’s diversity, prosperity and significance over hundreds of years.</p><p><iframe src="https://www.youtube.com/embed/EOddeFRrQ7c?list=PL0LQM0SAx600YnDfmfjDFjIk2SZMup-DZ&wmode=opaque" allowfullscreen="" frameborder="0" height="474" width="784"></iframe></p><p><iframe src="https://www.youtube.com/embed/GtKkX0on34o?wmode=opaque" allowfullscreen="" frameborder="0" height="480" width="854"></iframe></p></div>Protocollo del convegno "Urban Dynamics and Transcultural Communication in Medieval Sicily" (26-27 Novembre 2015)https://gregorian-chant.ning.com/group/benevent/forum/topics/rapporto-del-convegno-urban-dynamics-and-transcultural2016-04-15T17:52:16.000Z2016-04-15T17:52:16.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p><strong><a href="http://www.hsozkult.de/conferencereport/id/tagungsberichte-6488" target="_blank">Tagungsbericht</a></strong></p><p>Jenny Oesterle (Heidelberg) / Diamantis Panagiotopoulos (Heidelberg) /<br /> Theresa Jäckh (Heidelberg) / Mona Kirsch (Heidelberg): Begrüßung und Einführung</p><p><em>1. Sektion: Urban Centres and Transcultural Societies</em><br /> Moderation: Nikolas Jaspert (Heidelberg)</p><p>Vera von Falkenhausen (Rom), Die Griechen in Messina und Palermo (12.–13. Jahrhundert)</p><p>Julia Becker (Heidelberg), <em>Ut omnes habitatores Messane tam latini quam greci et hebrey habeant predictam libertatem</em>. Vita cittadina e cittadinanza a Messina tra Normanni, Angioni e Aragonesi</p><p>Kristjan Toomaspoeg (Lecce), Palermo in the Late Middle Ages: Territory and Population (13th–15th Centuries)</p><p><em>2. Sektion: A Dynamic Landscape? The Hinterland and its Patterns of Communication</em><br /> Moderation: Jenny Oesterle</p><p>Alex Metcalfe (Lancaster), Dynamic Landscapes: the View from Monreale</p><p>Richard Engl (Mainz), A Society on the Move: Muslim Cities in Hohenstaufen Sicily as Places of Migration and Communication</p><p>Fabrizio Titone (Bilbao): Catania e le comunità della diocesi. Autorità vescovile e laici nel tardo Medioevo</p><p><em>3. Sektion: Nodes of Communication: Merchants, Commodities, and Mediterranean Transfer</em><br /> Moderation: Daniel König</p><p>Hadrien Penet (Montreuil-sous-Bois), Merchant Communities of Late Medieval Messina (1250–1500)</p><p>Mark Aloisio (Malta)‚ ‘The Meat Rejected by Them’: Regulation, Manipulation and Anti-Jewish Rhetoric in the Meat Markets of Medieval Sicily</p><p>Mohamed Ouerfelli (Marseille), The Sicilian Overseas Sugar Trade in the Western Mediterranean in the Middle Ages</p><p><em>4. Sektion: Transcultural Images and Motifs. Discourses and Perception</em><br /> Moderation: Johannes Heil</p><p>Thomas Dittelbach (Bern), Transforming Messages: Counter Narratives in Norman Art and Architecture</p><p>Giuseppe Mandalà (Madrid), Città e saperi: qualche riflessione sulla diffusione della cultura araba nella Sicilia medievale</p><p>Abschließende Diskussionsrunde und Schlussworte</p></div>Convegno internazionale «L'apogeo di Ravello nel Mediterraneo»https://gregorian-chant.ning.com/group/benevent/forum/topics/convegno-internazionale-l-apogeo-di-ravello-nel-mediterraneo2015-11-04T10:01:39.000Z2015-11-04T10:01:39.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>L'apogeo di Ravello nel Mediterraneo. Cultura e patronato artistico di una élite medievale (Ravello, 30.10-1.12.2015)</p><p>Flyer del programma :</p><p><a href="https://www.academia.edu/17712740/" target="_blank">https://www.academia.edu/17712740/</a></p></div>Inquisition of the divine Liturgies in an euchologion of Carbonehttps://gregorian-chant.ning.com/group/benevent/forum/topics/documents-of-chauvinism-among-clerics-of-the-latin-rite-against2015-05-07T09:56:25.000Z2015-05-07T09:56:25.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>I would like to announce here a new publication about an euchologion of Carbone, Basilicata (Vat. grec. 2005). Bizzare changes within the formularies of the divine liturgies had been so far regarded by André Jacob as an adaption to Latinised customs in Salento, although the Archimandritate Carbone is located in the mountains of Basilicata at the Northern periphery of Parco Pollino. Now, Stefano Parenti restudied the manuscript and connected these corrections with a papal inquisition against Orthodox heresies which was ordered by Urban V in 1370.</p><p><strong>Abstract</strong></p><p>This study examines the manuscript Vatican gr. 2005, copied in 1194/5 at the monastery of Saints Elias and Anastasios in Carbone, Basilicata. The codex is identified as one of the euchologies that was amended as a result of the decrees of the Apostolic Visit of 1370-72, which established that liturgical books of the Greek churches and monasteries of Italy needed to be “corrected”. This process saw the application of late scholastic theological categories onto the Byzantine <em>lex orandi</em> and included such changes as the suppression of the consecratory epiclesis and the intercessions for the saints in the anaphora, as well as other changes meant to highlight the role of the minister who acts <em>in persona Christi</em>. This study argues that the extent and gravity of these interventions cannot be linked simply to a Salento scribe who wished to orient the Carbone liturgical tradition toward his own Byzantino-Salentine tradition, as has been suggested in the past.</p><p> </p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Parenti, Stefano. «Le correzioni curiali alle anafore bizantine in Italia meridionale nel XIV secolo. Il caso dell’eucologio di Carbone (Vaticano gr. 2005).» <em>Ecclesia orans</em> 32 (2015): 101–131. <a href="https://www.academia.edu/12261103" target="_blank">academia.edu</a></div></div></div>Donatella Bucca: "Catalogo dei manoscritti musicali greci del SS. Salvatore di Messina" (2013)https://gregorian-chant.ning.com/group/benevent/forum/topics/donatella-bucca-catalogo-dei-manoscritti-musicali-greci-del-ss2013-10-22T15:24:28.000Z2013-10-22T15:24:28.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>After questions of fund raisings could finally be solved, Donatella Bucca's catalogue of the music manuscripts of the Library of the Archimandritate Saint-Saviour Messina, the collection is preserved at the Biblioteca Regionale Universitaria di Messina today, could be published this year.</p><p>The presentation was 10 May and was filmed in large parts:</p><p><a href="http://www.ustream.tv/recorded/32959851#/recorded/32650375" target="_blank">http://www.ustream.tv/recorded/32959851#/recorded/32650375</a></p><p>Recorded (unfortunately very badly) presentation of a DVD by Ensemble Hagiopolites under direction of Ioannis Arvanitis.</p><p><a href="http://www.ustream.tv/recorded/32959851#/recorded/32656727" target="_blank">http://www.ustream.tv/recorded/32959851#/recorded/32656727</a></p><p>Here the programme of the whole day:</p><p><a href="http://www.regione.sicilia.it/beniculturali/brum/immagini_sito/locandina_paleografia.jpg" target="_blank">http://www.regione.sicilia.it/beniculturali/brum/immagini_sito/locandina_paleografia.jpg</a></p><p> </p><p>Here the cover of the catalogue:</p><p><a href="http://storage.ning.com/topology/rest/1.0/file/get/1271815577?profile=original"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/1271815577?profile=RESIZE_1024x1024" alt="1271815577?profile=RESIZE_1024x1024" width="750" /></a></p><p>The facsimile is taken from Messan. gr. 161, fol. 66v (we already discussed the <a href="http://gregorian-chant.ning.com/group/byzantin/forum/topics/reconstructions-of-the-byzantine-cathedral-rite" target="_blank">psaltikon part of the old cherouvikon</a> which can be found in the same Anthology of the Asma). Here the description by the author (p. 230):</p><blockquote><p><em>(ff. 64v-67v) pentekostaria: per un martire (λεγόμενον εἰς ἀθλοφόρου) [...], <catanittico>, inc. Τί ἐπιμένεις ψυχή μου καὶ οὐκ ἐργάζου ἀγαθὸν... ἦχ. πλ. β´ [Di Salvo,</em> '<em>Asmata,' 154</em>].</p></blockquote><p>The manuscript itself contains chant for the Orthros (ff. 20r-67v) and chant for the Divine Liturgies (ff. 68r-89v + Messan. gr. 175).</p><p>Half of the volume are indexes which allow readers to prepare a visit of the Library, whatever might be the perspective of the study of Italo-Byzantine chant manuscripts. Who would like to study those manuscripts of Cypriote provenance, can just look under "origine, loco d' — dei manoscritto:" in the analytical index (p. 448) and will find the signatures of 3 manuscripts which we discussed <a href="http://gregorian-chant.ning.com/group/byzantin/forum/topics/la-liturgie-a-chypre-croisement-de-la-culture-byzantine-et-latine" target="_blank">here</a>. Who would like to study compositions by Joseph the Hymnographer will find references to his canons, and to kontakia, and to an illumination of the famous monk who was born in Sicily, but grew up in Palestine and Constantinople: Giuseppe l'Innografo (p. 432). Who would like to study the sources of the liturgical drama about the biblical odes taken from Prophet Daniel, the so-called "Service of the Furnace", might look for it under "esequie, acolutia per le —" "di fanciulli" and finds the indication of the folios of one manuscript (p. 422). Who prefers to look for all compositions on the subject, better search in the "index of biblical readings" (p. 394).</p><p>For further information I recommend my review at <a href="http://hsozkult.geschichte.hu-berlin.de/rezensionen/2013-3-147" target="_blank">hsozkult.geschichte.hu-berlin.de</a>. </p></div>Ruth Dywer: Ravenna mosaics and kontakion on earthquakes and fires by Romanos Melodoshttps://gregorian-chant.ning.com/group/benevent/forum/topics/ruth-dywer-ravenna-mosaics-and-kontakion-on-earthquakes-and-fires2013-09-07T10:18:59.000Z2013-09-07T10:18:59.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Oliver for Neil Moran:</p><p>Video: <a href="http://www.ruthdwyer.com/hs-video2.htm" target="_blank">http://www.ruthdwyer.com/hs-video2.htm</a></p></div>Neil Moran: Italo-Byzantine Castrato Chanthttps://gregorian-chant.ning.com/group/benevent/forum/topics/neil-moran-italo-byzantine-castrato-chant2013-09-07T09:53:29.000Z2013-09-07T09:53:29.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Oliver for Neil Moran:</p><p>For Greek chants from South Italian mss sung by castrati cf. ‘Byzantine castrati’, <em>Plainsong and Medieval Music</em> 11 (2002), 99–112 , transcriptions of the Cherubikon and Πληρωθητω in <em>Ordinary chants</em> as well as the article ‘Due acclamazioni di sovrani nel Codice greco 161 di Messina’, <em>Atti dell' Academia di Scienze Lettre e Arti di Palermo</em>, serie 4, v. 36 (1976-77)</p><p><strong>Bibliography</strong></p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Moran, Neil. 2002. “Byzantine Castrati.” <em>Plainsong and Medieval Music</em> 11 (02): 99–112. doi:<a href="http://dx.doi.org/10.1017/S0961137102002073" target="_blank">10.1017/S0961137102002073</a>.</div></div><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Moran, Neil K. 1977. “Zwei Herrscherakklamationen in einer griechischen Handschrift aus Süditalien (Codex Messina Gr. 161).” <em>Die Musikforschung</em> 30: 3–13. <span class="sansserif"><a href="http://www.jstor.org/stable/41118054" target="_blank">http://www.jstor.org/stable/41118054</a>.</span> tradotto da Paolo Emilio Carapezza: <em>Due acclamazioni di sovrani nel Codice greco 161 di Messina,</em> <span class="sansserif">Extract from: Atti dell' Academia di Scienze Lettre e Arti di Palermo, serie 4, v. 36, (Palermo 1976-77), pp. <span class="object">581-595</span>.</span></div><div class="csl-entry"> </div></div><p> </p></div>Neil Moran: Latin Sanctus transliterated in Greekhttps://gregorian-chant.ning.com/group/benevent/forum/topics/neil-moran-latin-sanctus-transliterated-in-greek2013-09-07T09:29:54.000Z2013-09-07T09:29:54.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Oliver for Neil Moran:</p><div class="xg_user_generated"><p>For the Latin Sanctus in Greek letters (σαντους σαντους σαντους δδομινους δδεους σαββαοθ πλενι σοuτ σελι ετ τερρα γλορια τουα … ) cf. N. Moran, <em>The Ordinary chants of the Byzantine Mass</em>, p. 162-168 (with transcription)</p><p><strong>Bibliographic data:<br /> </strong></p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Moran, Neil K. 1975. <em>The Ordinary Chants of the Byzantine Mass</em>. Hamburger Beiträge zur Musikwissenschaft 12. Hamburg: Verlag der Musikalienhandlung K. D. Wagner.</div></div></div></div>La festa di San Nicola di Bari (9 maggio)https://gregorian-chant.ning.com/group/benevent/forum/topics/la-festa-di-san-nicola-di-bari-8-maggio-12013-05-09T13:54:24.000Z2013-05-09T13:54:24.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Yesterday started the feast for San Nicola at Bari, a translation of his reliquaries. Merchants who stole the bones from Bishop Nicholas' grave at Myra, arrived the 9 May 1087 at the port of Bari.</p><p>If you are interested in this story, you are welcome to have a look on my contribution for Thessaloniki:</p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Gerlach, O., 2013. Crossroads of Latin and Greek Christians in Norman Italy Traditions in Southern Italy – Byzantine Italy and Reciprocal Influences between Greek and Latin Chant (11th-13th Century). In E. Nikita-Sampson etc. (ed.). <em>Crossroads | Greece as an Intercultural Pole of Musical Thought and Creativity. Proceedings of the International Musicological Conference (Thessaloniki, June 6-10 2011)</em>. Thessaloniki: School of Music Studies, Aristotle University, 375–402. <a href="http://www.academia.edu/916618" target="_blank">http://www.academia.edu/916618</a>.</div></div><p style="text-align:center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/1271816386?profile=original"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/1271816386?profile=RESIZE_1024x1024" alt="1271816386?profile=RESIZE_1024x1024" width="750" /></a>Il Re Federico Secondo ci ha lasciato un trattato come fare la caccia con i falconi</p><p style="text-align:center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/1271817956?profile=original"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/1271817956?profile=RESIZE_1024x1024" alt="1271817956?profile=RESIZE_1024x1024" width="750" /></a>I timpanisti di Bari</p><p style="text-align:center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/1271819124?profile=original"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/1271819124?profile=RESIZE_1024x1024" alt="1271819124?profile=RESIZE_1024x1024" width="750" /></a>The black veiled women of Canosa celebrating the procession of Holy Saturday (Photo: Renata Oggero)</p><p>If you would like to listen to the field recordings, which I made in Bari and during the Easter season at Canosa, Conversano and Molfetta, please follow the broadcasting at Concertzender:</p><p> </p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Maessen, G., 2013. Oosterse Liturgieën 21 - Sint Nicolaas en de processies rond Bari. <em>Bonum est</em>. Available at: <a href="https://www.concertzender.nl/programma/bonum-est-601/" target="_blank">https://www.concertzender.nl/programma/bonum-est-601/</a>.</div><div class="csl-entry"> </div><div class="csl-entry"> </div></div></div>Italo-Byzantine and Peloponnesian Monastic Foundation Documentshttps://gregorian-chant.ning.com/group/benevent/forum/topics/italo-byzantine-and-peloponnesian-monastic-foundation-documents2013-05-06T17:13:22.000Z2013-05-06T17:13:22.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>For the exact geographic position, please have a look at the</p><p><a href="http://staging.doaks.org/research/publications/doaks-online-publications/byzantine-monastic-foundation-documents/maps.pdf" target="_blank">Maps</a></p><p><strong>Chapter One</strong><strong>: Traditional Private Religious Foundations</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ006.pdf" target="_blank">Introduction</a></p><p><strong>Eighth Century</strong></p><p><a href="http://staging.doaks.org/research/publications/doaks-online-publications/byzantine-monastic-foundation-documents/typ008.pdf" target="_blank">2. Pantelleria</a>: Typikon of John for the Monastery of St. John the Forerunner <span style="color:#800000;">on Pantelleria</span> (trans. Gianfranco Fiaccadori)</p><p> </p><p><strong>Chapter Three</strong><strong>: The Protectorate</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ023.pdf" target="_blank">Introduction</a></p><p><strong>Tenth Century</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ025.pdf" target="_blank">17. Nikon Metanoeite</a>: Testament of Nikon the Metanoeite for the Church and Monastery of the Savior, the Mother of God and St. Kyriake <span style="color:#800000;">in Lakedaimon</span> (trans. Anastasius Bandy)</p><p><strong>Eleventh Century</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ026.pdf" target="_blank">18. Nea Gephyra</a>: Testament of Nikodemos for the Monastery of Nea Gephyra <span style="color:#800000;">near Lakedaimon</span> (trans. Stephen Reinert)</p><p> </p><p><strong>Chapter Five</strong><strong>: Imperial and Royal Monasteries of the Twelfth Century</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ034.pdf" target="_blank">Introduction</a></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ035.pdf" target="_blank">25. Fragala</a>: Testaments of Gregory for the Monastery of St. Philip of Fragala <span style="color:#800000;">in</span> <span style="color:#800000;">Sicily</span> (trans. Patricia Karlin-Hayter and Timothy Miller)</p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ036.pdf" target="_blank">26. Luke of Messina</a>: Typikon of Luke for the Monastery of Christ Savior (San Salvatore) <span style="color:#800000;">in</span> <span style="color:#800000;">Messina</span> (trans. Timothy Miller)</p><p> </p><p><strong>Chapter Six</strong><strong>: Early Reform Monasteries of the Twelfth Century</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ040.pdf" target="_blank">Introduction</a></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ042.pdf" target="_blank">31. Areia</a>: Memorandum and Typikon of Leo, Bishop of Nauplia, for the Monastery of the Mother of God <span style="color:#800000;">in Areia</span> (trans. Alice-Mary Talbot)</p><p> </p><p><strong>Chapter Eight</strong><strong>: Later Private Religious Foundations</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ053.pdf" target="_blank">Introduction</a></p><p><strong>Twelfth Century</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ056.pdf" target="_blank">43. Kasoulon:</a> Rule of Nicholas for the Monastery of St. Nicholas of Kasoulon <span style="color:#800000;">near</span> <span style="color:#800000;">Otranto</span> (trans. Timothy Miller)</p><p><strong>Fourteenth Century</strong></p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ062.pdf" target="_blank">49. Geromeri</a>: Testament of Neilos Erichiotes for the Monastery of the Mother of God Hodegetria <span style="color:#800000;">in</span> <span style="color:#800000;">Geromeri</span> (trans. George Dennis)</p><p><a href="http://staging.doaks.org/resources/publications/doaks-online-publications/byzantine-studies/typikapdf/typ066.pdf" target="_blank">53. Meteora</a>: Canonical Rule of Athanasios the <span style="color:#800000;">Meteorite</span> for the Monastery of the Transfiguration (Metamorphosis) (trans. George Dennis)</p></div>Buona Pasqua con il rotolo Benedizionale di Barihttps://gregorian-chant.ning.com/group/benevent/forum/topics/buona-pasqua-con-il-rotolo-benedizionale-di-bari2012-04-09T15:41:53.000Z2012-04-09T15:41:53.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Kenneth Levy already studied the sources of Beneventan and Ravenna chant concerning the Vigil Mass for Holy Saturday which was connected with the Tractus "Sicut cervus desiderat". A very unique version has been transmitted by the Benedictional roll of Bari.</p><p><a href="http://storage.ning.com/topology/rest/1.0/file/get/1271823496?profile=original"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/1271823496?profile=RESIZE_1024x1024" alt="1271823496?profile=RESIZE_1024x1024" width="750" /></a></p><p>The illuminations make it evident that baptism was connected with this celebration of the cathedral rite.</p><p>Levy, Kenneth. 1970. "The Italian Neophytes’ Chants". <em>JAMS</em> 23: 181-227.</p></div>Un tropo di Sanctus nel processionale dell'Abbazia S. Domenico di Sora (Frosinone)https://gregorian-chant.ning.com/group/benevent/forum/topics/un-tropo-di-sanctus-nel-processionale-dell-abbazia-s-domenico-di2012-03-10T09:41:22.000Z2012-03-10T09:41:22.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>Un altro esempio per un melos di tritus con la finalis SOL è un tropo di Sanctus che ha inserito il testo del trisagion (tersanctum) su i melismi all'inizio. Questo parte del libro è un processionale, oggi conservato alla Vaticana sotto la segnatura Regin. lat. 334, che viene dall'Abbazia S. Domenico di Sora (Frosinone, una regione di Lazio vicino a Molise). Questo processionale anche provede come "antifona processionale" il cherouvikon (l'inno dei cherubini, normalmente l'offertorio).</p><p>La mia copia anche mostra la maniera imprecisa, perché la linia rossa è un po' troppo basso all'inizio, ma mi sembra le ligature cominciano sul FA, comme nella trascrizione di Bruno Stäblein:</p><p style="text-align:center;"><a href="http://storage.ning.com/topology/rest/1.0/file/get/1271823129?profile=original" target="_blank"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/1271824681?profile=RESIZE_1024x1024" alt="1271824681?profile=RESIZE_1024x1024" width="750" /></a>Biblioteca Apostolica Vaticana, Regin. lat. 334, <a href="http://digi.vatlib.it/view/MSS_Reg.lat.334/181" target="_blank">fol. 87r-87v</a></p><p>Questo esempio si rifera alle dicussione della <a href="http://gregorian-chant.ning.com/group/benevent/forum/topics/monografia-del-codice-35-della-biblioteca-capitolare-di-benevento" target="_blank">trascrizione dell'offertorio "Hodie christus natus est"</a>, dell'<a href="http://gregorian-chant.ning.com/group/byzantin/forum/topics/la-psalmodie-de-l-chos-varys" target="_blank">echos varys</a>, della <a href="http://gregorian-chant.ning.com/group/melos/forum/topics/tonus-quintus-selon-la-compilation-alia-musica" target="_blank">classificazione modale secondo i tonarii</a>.</p><p> </p><p><strong>Riferenza</strong></p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Gerlach, O., 2012. Byzantine Chant and its Local Traditions in Southern Italy before and after the Reform of Desiderius. In N. Tangari, ed. <em><a href="http://gregorian-chant.ning.com/forum/topics/musica-e-liturgia-a-montecassino-nel-medioevo" target="_blank">Musica e liturgia a Montecassino nel medioevo. Atti del Simposio internazionale di studi (Cassino, 9-10 dicembre 2010)</a></em>. Scritture e libri del medioevo. Rome: Viella, pp. 229–247. <a href="https://www.academia.edu/473292" target="_blank">academia</a>.</div></div></div>Walter Berschin: From the Middle of the Eleven Century to the Latin Conquest of Constantinoplehttps://gregorian-chant.ning.com/group/benevent/forum/topics/walter-berschin-from-the-middle-of-the-eleven-century-to-the2012-01-04T21:33:57.000Z2012-01-04T21:33:57.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p><span class="font-size-2" style="font-family:'arial black', 'avant garde';">From the Middle of the Eleven Century to the Latin Conquest of Constantinople</span></p><p><span style="font-family:Arial;"><span style="font-size:small;">From: <em>Greek Letters and the Latin Middle Ages</em>.<br /> From Jerome to Nicholas of Cusa.<br /> Translated by Jerold C. Frakes.<br /> Revised and expanded edition.<br /> The Catholic University of America Press, <a href="https://www.cuapress.org/" target="_blank">https://www.cuapress.org/</a></span></span></p><p align="center"><span style="font-family:Arial;"><strong> </strong></span></p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_31.html" target="_blank">1. The Schism of 1054</a> </p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_32.html" target="_blank">2. Greek Studies North of the Alps</a></p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_33.html" target="_blank">3. Amalfi, Salerno, Benevento, Monte Cassino</a> </p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_34.html" target="_blank">4. Venice</a></p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_35.html" target="_blank">5. The Metropolis Constantinople</a></p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_36.html" target="_blank">6. Pisa</a> </p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_37.html" target="_blank">7. Norman Sicily</a></p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_38.html" target="_blank">8. Spain and the Arabism of the High Middle Ages – Dionysius the Areopagite in the West</a></p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_39.html" target="_blank">9. Notes</a> </p><p>Free available at the internet:</p><p><a href="http://www.myriobiblos.gr/texts/english/Walter_Berschin_30.html" target="_blank">http://www.myriobiblos.gr/texts/english/Walter_Berschin_30.html</a></p></div>Discussing the Rite of the Norman Palatine Chapel at Palermohttps://gregorian-chant.ning.com/group/benevent/forum/topics/other-discussions-in-this-forum-concerning-the-norman-rite2011-12-28T11:36:06.000Z2011-12-28T11:36:06.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>A blog entry by Dominique Gatté dedicated to Gastoué's introduction into Byzantine Paleography was used by Neil Moran to inform about a concert programme by Graindelavoix dedicated to the Palatine chapel in Palermo (King Roger II) and about his study of the court acclamations:</p><p><a href="http://gregorian-chant.ning.com/profiles/blogs/introduction-a-la-paleographie" target="_blank">http://gregorian-chant.ning.com/profiles/blogs/introduction-a-la-paleographie</a></p><p>The publication of the trilingual Psalter, written for the court at Palermo, on the pages of the British Library was used by me to discuss some hypotheses raised by Jeremy Johns in his doctoral thesis (which he never published). Martin Morard gave his expert opinion: </p><p><a href="http://gregorian-chant.ning.com/forum/topics/psautier-trilingue-palermo" target="_blank">http://gregorian-chant.ning.com/forum/topics/psautier-trilingue-palermo</a></p><p>I would like to add here some bibliographical references:</p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Elze, Reinhard. 1990. The Ordo for the Coronation of King Roger II of Sicily: An Example of Dating from Internal Evidence. In <em>Coronations Medieval and Early Modern Monarchic Ritual</em>, hg von. Janos M Bak, 165-179. Berkeley, Los Angeles, Oxford: University of California Press. <a href="http://publishing.cdlib.org/ucpressebooks/view?docId=ft367nb2f3&chunk.id=d0e8191&toc.depth=1&toc.id=d0e8191&brand=ucpress" target="_blank">http://publishing.cdlib.org/ucpressebooks/view?docId=ft367nb2f3&chunk.id=d0e8191&toc.depth=1&toc.id=d0e8191&brand=ucpress</a>.</div><div class="csl-entry">———. 1998. Der normannische Festkrönungsordo aus Sizilien. In <em>Cavalieri alla conquista del Sud : studi sull’Italia normanna in memoria di Léon-Robert Ménager</em>, hg von. Errico Cuozzo und Jean-Marie Martin, 315-327. Roma: Laterza.</div><div class="csl-entry">Johns, Jeremy. 1984. The Muslims of Norman Sicily, c. 1060-c. 1194. Dissertation, London: University of Oxford, 1983. <a href="http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.348498" target="_blank">http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.348498</a>.</div><div class="csl-entry">———. 2002. <em>Arabic Administration in Norman Sicily: The Royal Dīwān</em>. Cambridge Studies in Islamic Civilization. Cambridge, New York, Melbourne, Madrid, Cape Town: Cambridge University Press.</div><div class="csl-entry">Loud, Graham A. 2007. <em>The Latin Church in Norman Italy</em>. Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao Paulo: Cambridge University Press.</div><div class="csl-entry">Tronzo, William. 1997. <em>The Cultures of His Kingdom: Roger II and the Cappella Palatina in Palermo</em>. Princeton, N.J: Princeton University Press.</div><div class="csl-entry">———. 2007. The Medieval Object-Enigma, and the Problem of the Cappella Palatina in Palermo. In <em>Late antique and medieval art of the Mediterranean world</em>, hg von. Eva Rose F. Hoffman, 367-388. 1993. Aufl. Blackwell anthologies in art history 5. Malden MA: Blackwell.</div></div><div class="csl-entry">Concerning the Italo-Byzantine paleography I recommend these two fundamental essays published in the same proceedings to characterize the differences between Sicily and South Calabria and the other centre in Terra d'Otranto (Salento, Apulia):</div><div class="csl-entry"><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Canart, Paul, und Julien Leroy. 1977. Les manuscrits en style de Reggio - Étude paléographique et codicologique. In <em>Actes du Colloque International sur ‘La paléographie grecque et byzantine’ organisé dans le cadre des colloques internationaux du CNR à Paris du 21 au 25 octobre 1974</em>, hg von. Jean Glénisson, Jacques Bompaire, und Jean Irigoin, 559:241-261. Colloques internationaux du Centre National de la Recherche Scientifique. Paris: Éditions du CNRS.</div><div class="csl-entry">Jacob, André. 1977. Les écritures de Terre d‘Otrante. In <em>Actes du Colloque International sur ‘La paléographie grecque et byzantine’ organisé dans le cadre des colloques internationaux du CNR à Paris du 21 au 25 octobre 1974</em>, hg von. Jean Glénisson, Jacques Bompaire, und Jean Irigoin, 559:269-281. Colloques internationaux du Centre National de la Recherche Scientifique. Paris: Éditions du CNRS.</div></div></div></div>Un orologhion da Giovanni Crisostomo di Messina (XVIII secolo) nel British Libraryhttps://gregorian-chant.ning.com/group/benevent/forum/topics/un-orologio-da-giovanni-crisostomo-di-messina-xviii-secolo-da2011-12-16T15:53:25.000Z2011-12-16T15:53:25.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><h1><a href="http://www.bl.uk/manuscripts/FullDisplay.aspx?index=13&ref=Add_MS_8221" target="_blank">Add MS 8221</a></h1><div><a href="http://storage.ning.com/topology/rest/1.0/file/get/1271805207?profile=original"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/1271805207?profile=original" alt="1271805207?profile=original" width="590" /></a>XVIII • Orologhion incompleto dell'Archimandritato SS. Salvatore di Messina Ἀκολουθία εἰπομένη ἔξω τοῦ Χοροῦ εἰς χρείαν τοῦ νεομοναχοῦ καὶ κληρικοῦ Ἰω(άννου) τοῦ Χρυσοστόμου Μεσσίνα (Horologion, comprising: Matins. Lauds. Hours. Prime. Terce. Sext. None, imperfect)</div><div>f. 1: Γιάνες Παπαμανολ (...) Γεωργάκις Λμπαγαλόπουλο(ς) Αγγελο(?). Note by Giuseppe Maria Ida, dated 9 March 1763 (f. 2): Io Giuseppe Maria Ida’ Sono al servizio di D. Gio. Chrisostomo Messina Basiliano. Londra 9 Maggio 1763. Another hand (f. 2): liber Usu’ D. Ioannis Chrysostomi Messina. According to the title-page (f 4) the present MS was compiled for the Basilian monk and cleric Ioannes Chrysostom of Messina. The title-page (f 4) includes an escutcheon charged with a single upright column, inscribed with the motto 'Talis est magnus Basilius', and surmounted by an ecclesiastical hat and triple tassels. Two further decorated pages (ff 91v, 111v) include a pierced heart and the monogram 'MA' surmounted by a coronet. Another (f 69v) includes an escutcheon surmounted by an ecclesiastical hat and triple tassels. All these marks appear to relate to the Basilian monastery of San Salvatore at Messina. Obit of Innocentius Sasso by an unnamed fellow student, dated 4 Dec. 1764 (f 156v). Bookstamp (f 3) and armorial bookplate (front pastedown) of the Hon. Frederic North, later 5th Earl of Guilford, the latter inscribed in ink 'No 459' (listed as such in the catalogue of Guilford's Greek books, Add MS 16572, f 50). Shelfmark 'u.a.L/1/A' (first flyleaf). '292' in pencil at top of front pastedown. Purchased, together with Add MS 8228, 8233, 8237, 8245, from R. H. Evans, 8 December 1830, lot 292 (part).</div></div>The Vigil Mass for Easter Sunday - according to Kenneth Levy a relict of Ravenna Chanthttps://gregorian-chant.ning.com/group/benevent/forum/topics/the-vigil-mass-for-easter-sunday-according-to-kenneth-levy-a2011-12-16T10:23:52.000Z2011-12-16T10:23:52.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>The liturgy of Ravenna Chant (usually discussed as "rîte d'Aquilea" in French, and as "rito patriarchino" in Italian studies) has only survived in small parts by the written transmission of notated manuscripts.</p><p>Kenneth Levy already studied the Vigil mass for Easter Sunday, a prominent feature in Beneventan manuscripts, 1970.</p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Levy, Kenneth. 1970. „The Italian Neophytes’ Chants“. <em>Journal of the American Musicological Society</em> 23 (2): 181-227.</div></div><p class="attachment"><a href="{{#staticFileLink}}9126192272,original{{/staticFileLink}}" target="_blank">LevyNeophytesChant.pdf</a></p></div>