OrdoRomanum - Musicologie Médiévale2024-03-29T15:56:21Zhttps://gregorian-chant.ning.com/group/vieuxromain/forum/topics/feed/tag/OrdoRomanumThe Old-Roman Practice of Alleluia singinghttps://gregorian-chant.ning.com/group/vieuxromain/forum/topics/the-old-roman-practice-of-alleluia-singing2012-07-05T07:01:27.000Z2012-07-05T07:01:27.000ZOliver Gerlachhttps://gregorian-chant.ning.com/members/1fkkdlhqnd9oq<div><p>According to Gregory the Great (<a title="edition of MGH" href="http://www.dmgh.de/de/fs1/object/display/bsb00000536_00103.html?sortIndex=040%253A010%253A0002%253A010%253A00%253A00&sort=score&order=desc&pageNo=59&context=johannis+syracus+gregori&subSeriesTitle_str=%7BEpistolae+%5BBriefe%5D%7D&hl=false&fulltext=johannis+syracus+gregori&zoom=0.75" target="_blank">letter to Bishop John of Syracuse, Oct. 598</a>) the Roman habit to sing the <em>alleluia</em> was imported from Jerusalem during the time of Jerome and Pope Damasus. Already in 445 Pseudo-Sozomenos wrote about a touristic attraction which used to happen only once a year:</p><blockquote><p>Πάλιν αὖ ἑκάστου ἔτους ἄπαξ ἐν Ῥώμῃ τὸ Ἀλληλούϊα ψάλλουσι, κατὰ τὴν πρώτην ἡμέραν τῆς Πασχαλίου ἑορτῆς, ὡς πολλοῖς Ῥωμαίων ὅρκον εἶναι, τοῦτον τὸν ὕμνον ἀξιωθῆναι ἀκοῦσαί τε καὶ ψᾶλαι.</p><p>Again in Rome they use to sing once a year the alleluia on the first day of Easter, so that a lot of Romans swear by it [were an oath] being worthy to listen to this hymn and to sing it.</p></blockquote><p>Hermias Sozomenos Salaminios: Κεφ. 19 · Κατάλογος τοῦ συγγραφέως εἰδήσεως ἄξιος τῶν παρὰ διαφόροις ἕθνεσι Ἐκκλησίαις ἐθῶν [Catalogue of the author's worthy reports about various pagan and church rites]. Vol. 7 of Ἐκκλησιαστικῆς Ἰστορίας, in: Jacques-Paul Migne, ed. 1857-66. <em>PG</em>, Paris. vol. 67, col. 1476.</p><p> </p><p><span style="font-family:'arial black', 'avant garde';"><strong>Bibliography</strong></span></p><p><strong>Alleluia</strong></p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Bailey, Terence. 1983. <em>The Ambrosian Alleluia</em>. London: Unwin Brothers Ltd.</div><div class="csl-entry">Crocker, Richard L., John Caldwell, and Alejandro Enrique Planchart. “<a href="http://www.oxfordmusiconline.com/subscriber/article/grove/music/25436" target="_blank">Sequence (i)</a>.” <em>Grove Music Online</em>.<div class="csl-entry">Jeffery, Peter. 1984. “<a href="http://www.digizeitschriften.de/dms/img/?PPN=PPN508363802_0026&DMDID=dmdlog20" target="_blank">The Introduction of Psalmody into the Roman Mass by Pope Celestine I (422-432). Reinterpreting a Passage in the ‘Liber Pontificalis’</a>.” <em>Archiv Für Liturgiewissenschaft</em> 26: 147–65.</div><div class="csl-entry">Levy, Kenneth. 1970. "<a href="http://www.jstor.org/stable/830642" target="_blank">The Italian Neophytes’ Chants</a>." <em>JAMS</em> 23: 181–227.</div><div class="csl-entry"> </div></div><div class="csl-entry">McKinnon, James W. 1996. “<a href="http://www.jstor.org/stable/853912" target="_blank">Preface to the Study of the Alleluia</a>.” <em>Early Music History</em> 15: 213–249.</div><div class="csl-entry">McKinnon, James W., and Christian Thodberg. "<a href="http://www.oxfordmusiconline.com/subscriber/article/grove/music/40711" target="_blank">Alleluia</a>." <em>Grove Music Online</em>.</div><div class="csl-entry">Pfisterer, Andreas. 2008. “<a href="http://dx.doi.org/10.1017/S0961137108000776" target="_blank">Italian and Gallican Alleluia Psalmody</a>.” <em>Plainsong and Medieval Music</em> 17: 55-68.</div><div class="csl-entry">Thodberg, Christian. 1966. <em>Der byzantinische Alleluiarionzyklus: Studien im kurzen Psaltikonstil</em>. transl. Holger Hamann. in: Monumenta Musicae Byzantinae - Subsidia 8. Kopenhagen: E. Munksgaard.</div><div class="csl-entry">Turco, Alberto. 1992. <em>Il canto antico di Milano: La salmodia alleluiatica e antifonata nelle fonti manoscritte</em>. Vol. 1. Quaderni Di “Studi Gregoriani”. Roma: Torre d’Orfeo.</div><div class="csl-entry">Wellesz, Egon. 1954. “Gregory the Great’s Letter on the Alleluia.” <em>Annales Musicologiques</em> 2: 7–26.</div><div class="csl-entry"><strong> </strong></div><div class="csl-entry"><strong>Western Plainchant</strong></div></div><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Bailey, Terence. "<a href="http://www.oxfordmusiconline.com/subscriber/article/grove/music/00754" target="_blank">Ambrosian chant</a>." <em>Grove Music Online</em>.</div><div class="csl-entry">———. 2008. “<a href="http://dx.doi.org/10.1017/S0961137108000752" target="_blank">A Lost Ambrosian Antiphoner of Southern Italy</a>.” <em>Plainsong and Medieval Music</em> 17: 1-22.</div><div class="csl-entry">Bailey, Terence, and Paul Merkley. 1989. <em>The Antiphons of the Ambrosian Office</em>. Vol. 50. Musicological Studies. Ottawa: Institute of Mediaeval Music.</div><div class="csl-entry">Bernard, Philippe. 1996. <em>Du chant romain au chant grégorien (IVe-XIIIe siècle)</em>. Patrimoines. Christianisme. Paris: Éditions du Cerf.</div><div class="csl-entry">Colette, Marie-Noël. 1995. “Grégorien et vieux-romain: deux différentes méthodes de collectage de mélodies traditionelles?” In <em>Laborare Fratres in Unum: Festschrift Laszló Dóbszay zum 60. Geburtstag</em>, ed. Janka Szendrei and David Hiley, 37–52. Spolia Berolinensia 7. Hildesheim: Weidmann.</div><div class="csl-entry">Dyer, Joseph Henry. 1981. <em>The Offertories of Old-Roman Chant : a Musico-liturgical Investigation</em>. Ann Arbor, Mich.: University Microfilms International. see also <a href="http://gregorian-chant.ning.com/group/vieuxromain/forum/topics/discussing-neil-moran-and-rebecca-maloy" target="_blank">Rebecca Maloy</a>.</div><div class="csl-entry">Haas, Max. 1997. <em>Mündliche Überlieferung und altrömischer Choral: Historische und analytische computergestützte Untersuchungen</em>. Bern: Lang.</div><div class="csl-entry">Hucke, Helmut, und Joseph Dyer. "<a href="http://www.oxfordmusiconline.com/subscriber/article/grove/music/11725" target="_blank">Old Roman chant</a>". <em>Grove Music Online</em>.</div><div class="csl-entry">Huglo, Michel. 2010. “Psalmody in the Ambrosian Rite - Observations on Liturgy and Music.” In <em>Ambrosiana at Harvard : New Sources of Milanese Chant</em>, ed. Thomas Forrest Kelly. Cambridge, Mass.: Houghton Library, 97–124.</div><div class="csl-entry">Levy, Kenneth. 1987. “<a href="http://www.jstor.org/stable/831580" target="_blank">Charlemagne’s Archetype of Gregorian Chant</a>.” <em>JAMS</em> 40: 1–30.</div><div class="csl-entry">———. 2000. “<a href="http://www.jstor.org/stable/853859" target="_blank">A New Look at Old Roman Chant</a>.” <em>Early Music History</em> 19: 81–104.</div><div class="csl-entry">———. 2001. “<a href="http://www.jstor.org/stable/853791" target="_blank">A New Look at Old Roman Chant - II</a>.” <em>Early Music History</em> 20: 173–197.</div><div class="csl-entry">———. 2003. “<a href="http://www.jstor.org/stable/10.1525/jams.2003.56.1.5" target="_blank">Gregorian Chant and the Romans</a>.” <em>JAMS</em> 56: 5–41.</div><div class="csl-entry">———. 2009. “<a href="http://books.google.com/books?id=1gAyfFpzZnUC" target="_blank">On the Origin of Neumes</a>.” In <em>Early Music History - Studies in Medieval and Early Modern Music</em>, by Iain Fenlon. Cambridge, New York, New Rochelle, Melbourne, Sydney: Cambridge University Press, 7:59–90.</div><div class="csl-entry">Levy, Kenneth, John A. Emerson, Jane Bellingham, David Hiley, und Bennett Mitchell Zon. "<a href="http://www.oxfordmusiconline.com/subscriber/article/grove/music/40099#S40099" target="_blank">Plainchant</a>." <em>Grove Music Online</em>.</div><div class="csl-entry">McKinnon, James. 2000. <em><a href="http://books.google.de/books?id=QHfxtBEGMPwC" target="_blank">The Advent Project the Later-seventh-century Creation of the Roman Mass Proper</a></em>. Berkeley: University of California Press.</div><div class="csl-entry">———. 1987. “<a href="http://www.jstor.org/stable/853889" target="_blank">The Fourth-Century Origin of the Gradual</a>.” <em>Early Music History</em> 7: 91–106.</div><div class="csl-entry">———. 1998. “<a href="http://www.jstor.org/stable/902538" target="_blank">Compositional Planning in the Roman Mass Proper</a>.” <em>Studia Musicologica Academiae Scientiarum Hungaricae</em> 39: 241–245.</div><div class="csl-entry">———. "<a href="http://www.oxfordmusiconline.com/subscriber/article/grove/music/11726" target="_blank">Gregorian chant</a>." <em>Grove Music Online</em>.</div><div class="csl-entry">Pfisterer, Andreas. 2002. <em>Cantilena Romana: Untersuchungen zur Überlieferung des Gregorianischen Chorals</em>. Beiträge Zur Geschichte der Kirchenmusik ; 11. Paderborn: Schöningh.</div><div class="csl-entry">Werf, Hendrik van der. 1983. <em>The Emergence of Gregorian Chant: A Comparative Study of Ambrosian, Roman and Gregorian Chant</em>. Rochester, N.Y.: H. van der Werf.</div></div><p><strong> </strong></p><p><strong>Oriental & Slavic Rites</strong></p><div class="csl-bib-body" style="line-height:1.35;padding-left:2em;text-indent:-2em;"><div class="csl-entry">Frøyshov, Stig Simeon R. 2007. “<a href="http://www.mzh.mrezha.ru/lib/froyshov/fhv2007a.pdf" target="_blank">The Early Development of the Liturgical Eight-Mode System in Jerusalem</a>.” <em>Saint Vladimir’s Theological Quarterly</em> 51: 139–178.</div><div class="csl-entry">Poliakova, Svetlana. 2009. “<a href="http://run.unl.pt/bitstream/10362/4934/1/SvetlanaPoliakova.pdf" target="_blank">Sin 319 and Voskr 27 and the Triodion Cycle in the Liturgical Praxis in Russia During the Studite Period</a>”. PhD, Lissabon: Universidade Nova de Lisboa.</div></div></div>