Musicologie Médiévale

Resources for medieval musicology and liturgy

Manuel Tizón
  • Male
  • 33
  • Spain

Manuel Tizón's Friends

  • Dra. Isabel Arias
  • Alban Thomas
  • Jason Stoessel
  • Père Jacques-Marie Guilmard
  • Marcel Pérès
  • Oliver Gerlach
  • Juan Carlos Asensio
  • Ricossa
  • Dominique Gatté

Manuel Tizón's Discussions

Journals of history of music with impact factor

Started Nov 4, 2014 0 Replies

Dear friends: I was wondering if there were journals related to history of music included in JCR o SCR. I have only found interdisciplinary musical journals, such as Journal of New Music Research,…Continue

Composition and notation

Started this discussion. Last reply by Manuel Tizón Oct 7, 2014. 9 Replies

Dear all:Musical notation and composition are inevitable intertwined. Music composers were limited by the musical notation used at that time. All of us, are aware of importance of memory and oral…Continue

Codex Faenza

Started this discussion. Last reply by Manuel Tizón Aug 24, 2014. 2 Replies

Does anyone know where I could consult Faenza Codex online? ThanksContinue


Manuel Tizón's Page

Profile Information

Intérêt principal (principal interest)
Grégorien, Ars antiqua, Ars nova, Hispanique, Théorie musicale, Manuscrits (paléographie)
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
I am musicologist, guitarist and composer. I am teacher of music notation in Spain.
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Comment Wall (3 comments)

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At 12:55 on October 9, 2014, Alban Thomas said…

Il s'agit de l'indication de la "touche noire", exactement comme l'utilisation d'une boucle dans la notation des tablatures postérieures. Ce "m" accompagne également les autres lettres habituelles :

 Quant aux Bfa et Bmi, ils sont notés ainsi :


At 11:15 on July 23, 2014, Manuel Tizón said…

Thank you very much Père

At 13:23 on July 20, 2014, Père Jacques-Marie Guilmard said…

Soyez le bienvenu à Semiologie grégorienne.



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