The whole pdf for download: http://crossroads.mus.auth.gr/proceedings/
The conference was about everything, so I marked for you all issues which can be
somehow relevant to the focus of this group:
Contents
Evi Nika-Sampson – Crossroads | Greece as an intercultural pole of musical
thought and creativity. An introduction to the Conference Proceedings
xi
KEYNOTE LECTURE
Constantin Floros – The Influence of Byzantine Music on the West
1
PANELS
PANEL I: Contemporary Ethnomusicological Knowledge in Greece: Young
Scholars Reflecting on Experience and Ethnography, the Academy and
the Field
I. Eleni Kallimopoulou - Ethnomusicological Student Fieldwork in the City of
Thessaloniki: Cultural Difference and Cultural Politics in the Field and the
University
15
II. Harris Sarris - The ‘Greek clarinet’ in Thrace revisited: A contemporary
ethnomusicological perspective
23
III. Alexandra Balandina - A Greek ethnomusicologist doing fieldwork in the
Middle East returns home: Encounters and trajectories in contemporary
Greek academia
31
PANEL II: Music in Greece during the 1940s
51
I. Katy Romanou - Occupied by the most musical people in Europe; a musical
Greek tragedy
53
II. Alexandros Charkiolakis - The Athens Conservatoire Symphonic Orchestra
– State Orchestra of Athens during the Occupation period: repertoire and
political conclusions
63
III. Sofia Kontossi - The Greek National Opera during the Axis Occupation and
the beginnings of the Greek Civil War through the activity of the conductor
Leonidas Zoras
71
IV. Myrto Economides - Manolis Kalomiris during the 1940s 89
PANEL III: Teaching tonal and contemporary composition as an issue of
internationalization and modernism in Greek music: Editing Yannis A.
Papaioannou’s (1910-1989) educational corpus
97
I. Demetre Yannou - The editorial problems of the material 99
II. Costas Tsougras - Y. A. Papaioannou's educational corpus – A creative
approach to tonal composition teaching
109
III. Kostas Chardas - Teaching modernism in Greece: Techniques and ideas
crossing the compositional and educational work of Papaioannou since 1950
133
FREE PAPERS
Papers appear in alphabetical order (by first author’s last
name)
1) English (and German) Papers
Μinas Ι. Alexiadis - The “Hellenikon” (Ελληνικόν) and the “Elinikon” (Ελινικόν)
issue, in Leoš Janáček’s Opera “The Makropoulos Affair”
147
Spyridon Antonopoulos - Manuel Chrysaphes and his Treatise: Reception
History, a Work in Progress
153
Thomas Apostolopoulos – Production fields of theoretical terminology of the
Psaltiki
173
George Athanasopoulos – The Fall of Ancient Greek Notation - social change
in the Ancient World
181
Anna Babali - Musical interrelations between Serbia and Greece: The case of
the Seven Balkan Dances for the piano by Marko Tajčević and the piano set
Greek Dances by Georgios Kasassoglou
191
Irini Beina - Ethnographic film as a methodology tool and product of
ethnomusicological research
203
Angela Bellia - Musical Instruments and Funerary Rites in a Western Greek
Colony: the case of Locri Epizefirii (VI-IV c. B.C.)
217
Yannis Belonis - Marios Varvoglis’ (1885-1967) chamber music 229
Gordana Blagojević - Byzantine music as a driving force of music creativity in
Belgrade today
237
Spyros Bonelis – The unfinished avant-garde of Jani Christou 245
Irina Chudinova - Greek Chant in the Russian North 251
Zamfira Dănilă - The publication of Ghelasie the Bessarabian’s music - an
invaluable restitution for Romanian psaltic music
259
Nektaria Delvinioti – Manolis Kalomiris’ relationship with cultures, artists,
political factors
275
Dimitrios Delviniotis & Georgios Kouroupetroglou - DAMASKINOS: The
Prototype Corpus of Greek Orthodox Ecclesiastical Chant Voices
289
Lampros Efthymiou - The lavta: Origins and evolution; its relation to the old
type of Greek lute
303
Demosthenes Fistouris - The Tetrachords - archetype structural composing
unit - in the opera, as an aesthetical element of orientalism, exoticism,
folklorism and inspiring resource for European composers, furthermore as an
experiential element of national identity or, especially, as a mannerism tool for
Greek composers
315
Ioannis Fulias - Researching the early work of the composer Dimitri
Mitropoulos: some historical and analytical remarks on his Un morceau de
concert for violin and piano
339
Filomena Gagliardi - Aristotle and the strength of music 347
Amaya Sara García Pérez - Ptolemy, pipes and shepherds 357
Oliver Gerlach - Crossroads of Latin and Greek Christians in Norman Italy.
Byzantine Italy and Reciprocal Influences between Greek and Latin Chant
(11th-13th Century)
375
Stamatia Gerothanasi - Cross-cultural interactions between Greeks and
Italians. Musical dramaturgy in The Afternoon of Love of Marios Varvoglis
403
Alexandra Goulaki-Voutyra - Τυφλός ανήρ, οικεί δε Χίω ένι παιπαλοέσση 413
Stela Guţanu - The Monastery of New Neamţ – the sacred river that flew in the
ocean of Romanian history
427
Maria Hnaraki & Yannis Sabrovalakis - Traditional Cretan rhyming couplets at
Greek, artistic compositions: from D. Mitropoulos’ Cretan Feast (1919) to G.
Koumentakis’ Amor Fati (2007)
435
Kyriakos Kalaitzidis - Kratemata and Terenüm – “Parallel Lives” 449
Kostas Kardamis - Ionian (Septinsular) composers and Classical Antiquity:
Revisiting the past or legitimising the present?
453
Olga Kolokitha - Views of Greece as an intercultural pole of musical thought
and creativity and young Greek professional musicians: the cultural policy and
management perspective
465
Meri Kumbe - The historical developement of Byzantine music in Albania from
1900 until today
473
Irmgard Lerch-Kalavrytinos - Frank Choisy (1872-1966) – a Swiss-Belgian
composer in Greece
481
Katerina Levidou - Rethinking “Greekness” in Art Music 503
Benjamin R. Levy - “A Form that Occurs in Many Places” - Clouds and
Arborescence in Mycenae Alpha
515
Guang-rui Lu - Western Music Philosophy via Ancient Greek Spirit and
Contemporary Chinese Symphonies
525
Nikos Maliaras - Some Western European Musical Instruments and Their
Byzantine Origin
533
Rev. Gabriel Mândrilă - Saint John of Damascus: The Byzantine Music
Notation and the Theology of Holy Icons
545
Eva Mantzourani - A reappraisal of Nikos Skalkottas’s dodecaphonic
compositional techniques
553
Nataša Marjanović - Great Chant in the Liturgical Practice of the Serbian
Orthodox Church
569
Daphne Mavridou - Types of melisma in the traditional songs of central
Macedonia, Greece
581
Vesna Mikić - Whose are these songs? Serbian/exYu and Greek input in
Balkan’s popular music
599
Melania Elena Nagy - Greek Manuscript O. 354 from the Library of the
Romanian Academy, Cluj-Napoca
607
Matthias Nikolaidis - Myth as structure in the works of Richard Wagner 619
Panagiotis Ch. Panagiotidis – Byzantine Chant Notation in the English
Language
631
Mema Papandrikou - The santouri in Greece between 1799-1800. Is it an
Ottoman or a European dulcimer?
653
viii
Roksanda Pejović - Possible Baroque Influences on the Representations of
Musical Instruments in 17th and 18th Century Serbian Art
667
Tijana Popović Mladjenović - Ariadne’s Thread of Hofmannsthal's and
Strauss's Opera in the Opera, or the Labyrinth of the Crossroads of European
Cultural History
681
Massimo Raffa - The Study and Teaching of Harmonic Science in the Age of
Neo-Platonism: A Preliminary Approach
699
Anna-Maria Rentzeperi-Tsonou - Marios Varvoglis, “The Muleteer song”
(1905) and “Eurycome” (1906), songs for voice and piano
707
Giorgos Sakallieros - A decisive step to prewar Greek musical modernism:
Dimitri Mitropoulos’ Ostinata for violin and piano (1926-27)
725
Anastasia Siopsi - A comparative study of music written for productions of
ancient Greek drama in modern Greece and Europe (1900-1970)
743
Philip Gregory Sougles - Gina Bachauer, a forgotten artist: Negligence or
political taboo?
755
Demosthenis Spanoudakis - The Sticheron “Today is hanged on wood” -
Σήμερον κρεμᾶται ἐπὶ ξύλου. Comparative musical analysis based on the
Temporal-Evolution-of-the-Average-Pitch approach
765
Isavella Stavridou - Zur Transformation einer antiken Heroine in der Moderne:
Die szenische und musikalische Interpretation der Klytämnestra im 20.
Jahrhundert
787
Agamemnon Tentes – Elements of neo-Hellenic proto-musicology in the ‘Great
Theoreticon of Music’. A study of the main treatise of Chrysanthos from
Madytos in the light of two writings by Gary Tomlinson
795
Polyxeni Theodoridou - Emilios Riadis (1880-1935) - Yannis A. Papaioannou
(1910-1989): Greek representatives of orientalism
819
Athanasios Trikoupis - Greek composers in the 20th century. European
influences in their work
843
Pavlos Tsakalidis – Three-chord modes in Greek folk music 853
Mirjana Veselinović Hofman - Temporal Capacities of the Visual in the
Representation of a Piece of Music on the Screen
867
George Vlastos - Incidental Music for Ancient Greek Dramas in fin-de-siècle
Paris
875
Stella Voskaridou Economou - Communicating Greekness in filmed tragedy
“out of the spirit of music”
893
George Zervos - Two Greek composers on the crossroads of two traditions:
Nikos Skalkottas, Iannis Xenakis
907
Vasiliki Zlatkou - Petros Petridis, Trio for piano, violin and violoncello (1934):
the relation of sonata form with modality and its interaction with European and
Hellenistic influences of 20th century music
919
2) Greek Papers
Μαρία Αλεξάνδρου (Alexandru) - Παρατηρήσεις για την ανάλυση, υφή και
μεταισθητική της Βυζαντινής Μουσικής. Ο ύμνος “Σιγησάτω πᾶσα σὰρξ
βροτεία”
933
Εμμανουήλ Στ. Γιαννόπουλος (Giannopoulos) - Η σύνθεση Δύναμις του
Τρισαγίου ύμνου του πρωτοψάλτη Ξένου Κορώνη. Από τον 14ο στον 21ο
αιώνα
963
Βασιλική Γούση (Gousi) - Τρύφων Γ. Γερόπουλος: Ένας κορυφαίος
εκπρόσωπος της Εκκλησιαστικής Ψαλτικής Τέχνης στη Μαγνησία
985
Ιωάννης Ζαρίας (Zarias) - Η Kαταγραφή της Διαποίκιλσης στην Ελληνική
Παραδοσιακή Μουσική από την Ευρεία Διάδοση της Δυτικής Σημειογραφίας
και Μετά
993
Κωνσταντίνος Χ. Καραγκούνης (Karagounis) - Ένας αυτόγραφος κώδικας
του Απόστολου Κώνστα Χίου, ανακαλυφθείς πρόσφατα στα Άνω Λεχώνια
Πηλίου της Μαγνησίας
1007
Αντώνης Ι. Κωνσταντινίδης (Konstantinidis) - Οι "κλασικές" βάσεις της
μεταρρύθμισης. Ιδεολογικές και τεχνικές προσεγγίσεις της νέας Ψαλτικής
θεωρίας
1041
Γεώργιος Ν. Κωνσταντίνου (Konstantinou) - Τό Σύντομο Ἀναστασιματάριο
τοῦ Πέτρου Πελοποννησίου
1055
Ιωάννης Λιάκος (Liakos) - Μοναχός Θεοφάνης Παντοκρατορινός. Ένας
εξηγητής της προ Χρυσανθικής περιόδου
1077
Αγγελική Λιβέρη (Liveri) - Κύμβαλα και κυμβαλίστριες από αρχαία ελληνικά
ιερά
1087
Μαρία Ντούρου (Dourou) - Γιάννη Ανδρέου Παπαϊωάννου, Τρεις Βυζαντινές
Ωδές για σοπράνο και ενόργανο σύνολο: αντικατοπτρισμοί του βυζαντινού
μέλους στο προσωπικό ιδίωμα του συνθέτη
1119
Πέτρος Παπαεμμανουήλ & Γρηγόρης Παπαεμμανουήλ (Papaemmanouil &
Papaemmanouil) - Η μουσική παράδοση στα χωριά του Φαλακρού Δράμας.
Καταβολές – Eπιρροές
1131
π. Νεκτάριος Πάρης (Rev. N. Paris) - Τροπάριο τῆς Ἀκολουθίας τῶν Παθῶν
στὸ Χφ. Κύκκου 4
1147
Καλλιόπη Στίγκα (Stiga) - Βυζαντινή παράδοση και νεοελληνική ποίηση
συνδιαλέγονται στο έργο του Μίκη Θεοδωράκη
1169
Ναυσικά Τσιμά (Τsima) - Συνοπτική γραμματική…, Ν (Νικόλαος) Φλογαΐτης,
Εθνική Τυπογραφία, Αίγινα, 1830: ένα πολύπλευρης σημασίας τεκμήριο
1175
Σοφία - Μαριάνθη Χαλκιαδάκη (Chalkiadaki) - Ο Αθήναιος ο Ναυκρατίτης ως
μοναδική πηγή για τη μελέτη αρχαίων εγχόρδων μουσικών οργάνων
1189
Αγλαΐα Χατζάρα (Chatzara) - Η προφορική παράδοση στη Βυζαντινή
Εκκλησιαστική Μουσική
1201
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