Gender
Male
About
Location
Amherst, MA
Intérêt principal (principal interest)
Grégorien, Ars antiqua, Ars nova, Vieux-Romain, Ambrosien, Chants des ordres religieux, Liturgie, Théorie musicale, Manuscrits (paléographie), Instruments de musique
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Ruled by the Muses: Italian Humanists and their Study of Music in the Fifteenth Century (in progress)
Ugolino of Orvieto, Declaratio musice discipline: edition, translation, and study (in progress)
“Copying Old Notes: Padre Martini and Late Medieval Music Theory in the Eighteenth Century” (in progress)
“Conduits, Objects, and Earwitnesses of Musical Exchange in the Early Modern Era,” in A Cultural History of Music in the Fifteenth and Sixteenth Centuries, eds. Jeanice Brooks and Richard Freedman (Bloomsbury, expected publ. 2022) [in press].
“Antoine Haneron: Un diplomate pour musiciens,” in Le Hainault et la musique de la Renaissance, eds. Camilla Cavicchi, Marie-Alexis Colin, Sandrine Thieffry (Brepols Publishers [Epitome Musical series], forthcoming).
Review of Jane Hatter, Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice (Cambridge University Press, 2019), Music & Letters 102/1 (2021): 141–143. https://doi.org/10.1093/ml/gcab010
Review of Karen Desmond, Music and the moderni, 1300–1350: The ars nova in Theory and Practice (Cambridge University Press, 2018), Renaissance Quarterly 73/4 (2020): 1445–1446. https://doi.org/10.1017/rqx.2020.293
“The English Voyage of Pietrobono Burzelli,” Journal of Musicology 35, no. 4 (2018): 431–459. https://doi.org/10.1525/JM.2018.35.4.431
“The Song of Iopas in Renaissance Italy,” in Virgil and Renaissance Culture, eds. Luke Houghton and Marco Sgarbi (Tempe: Arizona Center for Medieval and Renaissance Studies, 2018), 85–102.
“What’s in a Name? The Origins of Pietrobono Burzelli,” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 65/1–2 (2016): 5–11. https://www.jstor.org/stable/24887698
Review of Paul Schleuse, Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi (Indiana University Press, 2015), Renaissance Quarterly 69/4 (2016): 1553–1555. https://doi.org/10.1086/690409
Review of Tim Shephard, Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530 (Oxford University Press, 2014), Journal of the American Musicological Society 69/1 (2016): 237–241. https://doi.org/10.1525/jams.2016.69.1.237
“Transformations in Music Theory and Music Treatises,” in The Cambridge History of Fifteenth-Century Music, eds. Anna Maria Busse Berger and Jesse Rodin (Cambridge University Press, 2015), 602–614. https://doi.org/10.1017/CHO9781139057813.043
“New Light on Recruiting Singers during the Papal Schism: A Letter from Pope Urban VI,” in Qui musicam in se habet: Studies in Honor of Alejandro Enrique Planchart, eds. Anna Zayaruznaya, Bonnie Blackburn, and Stanley Boorman (American Institute of Musicology, 2015), 225–229.
“Reading the Blank Pages,” post on official blog of the American Musicological Society, Musicology Now (28 December 2015): Musicology Now [supplementary images]
Review of Russell E. Murray, Jr., Susan Forscher Weiss, and Cynthia J. Cyrus, Music Education in the Middle Ages and the Renaissance (Indiana University Press, 2010), Journal of Musicological Research 34/1 (Spring 2015): 85–89. http://dx.doi.org/10.1080/01411896.2014.955390
“‘This Is Another and Greater Subject’: Leonardo Bruni on Music,” Renaissance Then and Now: Danza, Musica e Teatro per un nuovo Rinascimento, ed. Stefano Baldassarri (Edizioni ETS, 2014), 101–109.
“The Sources and Early Readers of Ugolino of Orvieto’s Declaratio Musice Discipline,” in Beyond 50 Years of Ars Nova Studies at Certaldo, 1959-2009 (L’Ars Nova Italiana del Trecento, vol. VIII), ed. Marco Gozzi, Agostino Ziino, and Francesco Zimei (Libreria Musicale Italiana, 2014), 401–425.
Review of Wendy Heller, Music in the Baroque (W. W. Norton, 2013), Early Music America 20/1 (Spring 2014): 60.
“Tinctoris and the Neapolitan Eruditi,” Journal of the Alamire Foundation 5/1 (April 2013): 41–68. https://doi.org/10.1484/J.JAF.1.103262
“Giacomo Paladini: A Professional Singer and Bishop in Fifteenth-Century Italy,” in Renaissance Studies in Honor of Joseph Connors, eds. Louis A. Waldman, Machtelt Israëls, et al. (2 vols.) (Harvard University Press, 2013), II, 609–614.
Review of Fabrice Fitch and Jacobijn Kiel, eds., Essays in Honor of David Fallows: Bon jour, bon mois, et bonne estrenne (Boydell Press, 2011), Early Music America 18/2 (Summer 2012): 47–48.
"Music and Learning in Early Renaissance Ferrara, ca. 1430-1470" (Ph.D. diss, Harvard University, 2010).
Review of Timothy McGee, The Ceremonial Musicians of Late Medieval Florence (Indiana University Press, 2009), Early Music America 16/1 (Spring 2010): 60.
Magnus Liber Organi, vol. vii (Les Organa Dupla and les Clausules à deux voix, Wolfenbüttel, Herzog August Bibliothek, Cod. Guelf. 628 Helmstad), ed. Edward Roesner. Plainchants edited by Evan Angus Mac Carthy and Greta-Mary Hair (L’Oiseau-Lyre, 2009).
