Lien général vers Chantdiscography
01_Introitus_Sacerdotes_Dei.mp3
05_Alleluia_Justus_germinabit.mp3
08_Offertorium_Veritas_mea.mp3
11_Communio_Fidelis_servus.mp3
12_Introitus_Gaudeamus_omnes_in_Domino.mp3
13_Alleluia_Assumpta_est_Maria.mp3
14_Communio_Optimam_partem.mp3
15_Responsorium_Hodie_nobis_caelorum_Rex.mp3
16_Cantilena_Puer_natus_in_Bethleem_alleluia.mp3
17_Introitus_Viri_Galilaei.mp3
18_Sequentia_Veni_Sancte_Spiritus.mp3
19_Tractus_Absolve_Domine_animas.mp3
20_Antiphonae_In_paradisum-Chorus_angelorum.mp3
Direction Dom Laurents Janssens
01_Introitus_Sacerdotes_Dei.mp3
03_Alleluia_Justus_germinabit.mp3
04_Offertorium_Veritas_mea.mp3
05_Communio_Fidelis_servus.mp3
06_Introitus_Sacerdotes_Dei.mp3
09_Alleluia_Pascha_nostrum.mp3
10_Alleluia_Fac_nos_innocuam.mp3
Discours du congrès de Rome d'avril 1904 :
11_Padre_Angelo_de_Santi_Discours_inaugural.mp3
12_Dom_Joseph_Pothier_Caractere_fondamental_du_Chant_Liturgique.mp3
13_Dom_Andre_Mocquereau_Recherches_dans_les_Sources_du_Chant.mp3
14_Baron_Rudolf_Kanzler_Chant_et_Gramophone.mp3
15_Mgr_Antonio_Rella_L_enseignement_du_Chant_Gregorien.mp3
Replies
Very nice, thank you.
Merci Alberto pour cette reproduction !
Depuis hier, nous parlons des moines de Sant'Anselmo à Rome sous la direction de Dom E. Cardine. Mais il y a avait déjà eu d'autres enregistrements à Sant'Anselmo: en 1933 pour Christschall (consultez Chantdiscography) et en 1904 pour Gramophone. Ci-dessous un dessin qui présente les moines en 1904 lors d'une séance d'enregistrement pour Gramophone:
It should be noted that the Discant LPs omitted one 30cm disc, the "first part" of Pothier's discourse. I have not been able to listen to the disc in an archive (the Library of Congress has a copy, I believe). The number is 054775. Katharine Ellis, *The Politics of Plainchant in Fin-de-siecle France* (Ashgate, 2013), writes about these discourses in detail. She notes that Pothier's was not taken from the speech as it was delivered. All the speeches were published in *Rassegna gregoriana* from April to August 1904. My article, "A Century of Chant Recordings," will be published in The Netherlands later this year.
I would not expect to look for coupure as an explanation of the rhythm at that point, since it is in the middle of a melisma. In Pothier's three chants, the coupure separates syllables but does not break up a melisma.
Il se trouve que Dom Mocquereau pratiquait lui aussi la "coupure neumatique",comme on peut le constater dans l'Offertoire Ave Maria (DOM IV Adv), à "DOminus":
Afin d'assurer une "thésis" sur la "coupure" qui suit la deuxième note de la clivis, Dom Mocquereau va jusqu'à apposer un ictus sur la ... dernière note du climacus précédent !!
Jerome F. Weber a dit :
Merci Jerome, pour signaler ces précieuses informations. Je me permets de les compléter avec un article ci-joint qui devrait vous être familier (nous en avions parlé en août 2013), "The Gregorian Congress of 1904", journal of the Association for recorded sound collections, pp. 72-72, Vol. XIV, nº 2, Manassas, 1982.
Je vous joins également une image d'un disque original de Gramophone du Kyrie VIII dirigé par Rella.
v14n2p72-74.pdf
Gramophone Kyrie Rella.jpg
Two points must be understood about these recordings. The chants sung at the Congress were taken from the Liber Usualis of 1903 edited by Mocquereau. The differences between these chants and either the 1895 Liber Gradualis or the 1908 Graduale Romanum, both edited by Pothier, are profound, especially audible in the Kyriale pieces. Four of the conductors recorded these versions, but Pothier used his 1895 edition.
The other point is to hear *coupure neumatique* in Pothier's interpretations, as if he were a pupil of Cardine rather than the other way around, so to speak. It is astonishing to listen to his chants today.
Merci pour ce nouveau groupe!