I've now produced an HTML version of the article that I published on my blog last year about a motet that survives in two different notational forms. I've already posted this discussion on the ars antiqua discussion group page, but it might also be of interest to the ars nova group because the motet seems to straddle both periods, pointing the the continuities of musical style despite differences in notational shapes.
Anyway, the original blogpost (with links to the pdf version) is here: http://eeleach.wordpress.com/2011/08/23/a-concordance-for-an-early-fourteenth-century-motet/
The new HTML version is linked on that page, too, but you can go there directly:
http://users.ox.ac.uk/~musf0058/Dijonmotet.html
As an online self-publication, the text is quite preliminary and attempts to raise questions rather than answer them. All comments most welcome!
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