carolingian renaissance - Mélos et ses microtones

carolingian renaissance (2)

Aachen, Aurelianus Reomensis and the role of tonaries within Carolingian chant

Oliver for Lutz Felbick:

If you look at music history from the perspective of the Carolingian power center in Aachen/Aix la Chapelle, the result is an overall view, which is not recognizable when considering individual facts singularly. My research a

Aurelian of Réôme's reception of the lesser perfect system: the 15 modes organized in triphonia

Scholars of Western chant usually rely on Guido of Arezzo, when they reduce the discussion of microtones to the question where to use b flat, they do even so, if the source is older than Guido's Micrologus. But what are the sources for earlier refere

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Mélos et ses microtones

Aachen, Aurelianus Reomensis and the role of tonaries within Carolingian chant

Aurelian of Réôme's reception of the lesser perfect system: the 15 modes organized in triphonia

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