hucbald - Mélos et ses microtones - Musicologie Médiévale

hucbald (4)

Aachen, Aurelianus Reomensis and the role of tonaries within Carolingian chant

Oliver for Lutz Felbick:

If you look at music history from the perspective of the Carolingian power center in Aachen/Aix la Chapelle, the result is an overall view, which is not recognizable when considering individual facts singularly. My research a

Started by Oliver Gerlach

17 Replies

Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272)

Munich, Bayerische Staatsbibliothek

clm 14272, fol. 177v

Tonary of the alia musica compilation (manuscript M) with neumed intonations, psalmody, and glossed tonaries, music theoretical collection of the Abbey St Emmeram, Regensburg (1006-1028).

When I p

Started by Oliver Gerlach

26 Replies

Discussion of didactic material about modality for Milan and Paris

La discussion des exposés didactiques était née dans la discussion de la main guidonienne avec les symboles dasianes.

Nicolas Meeùs m'a demandé de discuter son exposé didactique « la modalité formulaire du chant grégorien » qu'on pourraît télécharger

Started by Oliver Gerlach

8 Replies

Nummerierung des Oktōīchos bei Hucbald

für Franco:

noch ein sachliche Frage:

im Artikel Tonary von Wikipedia findet sich.

Since Hucbald of Saint-Amand the eight tones were simply numbered according to this order: Tonus I-VIII.

Das findet sich auch bei Huglo, les Tonaires, 57. Huglo nennt kein

Started by Oliver Gerlach

7 Replies

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Mélos et ses microtones

Aachen, Aurelianus Reomensis and the role of tonaries within Carolingian chant

Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272)

Discussion of didactic material about modality for Milan and Paris

Nummerierung des Oktōīchos bei Hucbald

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