moran - Mélos et ses microtones - Musicologie Médiévale

moran (2)

The Use of Microtones in Plainchant since Pythagoras in Italy, Boethius in Rome and Justinian in Constantinople

Neil Moran wrote:

"Byzantine liturgical music is based on the principles of Pythagoras, classical Greek music theorists and Boethius, the contemporary of Justinian, who established a corps of 25 singers (including eunuchs) in the Hagia Sophia (consecr

AIANEOEANE

Dans une source de la compilation alia musica, il y a une description du « tonus tertius » qui s’appelle AIANEOEANE (vous pouvez regardez la révision de la datation chez Charles Atkinson [commentaire sur l’exposition, auteur δ - dans l'edition du GS,

Hello, you need to enable JavaScript to use Musicologie Médiévale.

Please check your browser settings or contact your system administrator.

Mélos et ses microtones

The Use of Microtones in Plainchant since Pythagoras in Italy, Boethius in Rome and Justinian in Constantinople

AIANEOEANE

Note: this page contains paid content.