Prédication, poésie et musique : la dimension sonore dans l'oeuvre de Philippe le Chancelier - Anne-Zoé Rillon

[Dominique Gatté]

Prédication, poésie et musique : la dimension... par SINGER-POLIGNAC

http://www.dailymotion.com/video/xjlfvg_predication-poesie-et-musique-la-dimension-sonore-dans-l-oeuvre-de-philippe-le-chancelier-anne-zoe-r_news#rel-page-3

[Anne-Zoé Rillon]

Bonjour

Merci de signaler ma thèse. J'informe qu'un ouvrage plus synthétique à partir de ce travail est en cours de publication, chez Brepols, dans la collection Studia Artistarum.

Cordialement

Anne-Zoé Rillon

Dominique Gatté a dit :

Anne-Zoé Rillon-Marne; Philippe Le Chancelier et son œuvre : étude sur l’élaboration d’une poétique musicale

http://theses.edel.univ-poitiers.fr/index.php?id=616

Consulter le texte intégral de la thèse (format PDF)

Philip the Chancellor and his work‎ : study on the elaboration of a musical poetic

Though the analysis of the moral monodic conductus by the poet, preacher and theologist Philip the Chancellor, the rhetorical qualities of this work are revealed both by words and music. They have a complex relationship either by enhancing the sounds of words, by clarifying their meaning or by setting a learned construction to be understood by people used to the subtelties of latin rhythmic poetry. Rules and figures are dictated by the will to deliver a moral message, these techniques being derived from others practices of speech. The poet-composer conceives the conductus with the same habits as the ones of the orator and the singing voice is an efficient means of teaching a large and varied audience. Each song seems to fit is own purpose by the sounds of the language, by the structure patterns or by melodic creation. The sung word thus becomes a weapon against all sinners and vices.

[Arturo Tello Ruiz-Pérez]

Muchísimas gracias, Dominique!

[Dominique Gatté]

Anne-Zoé Rillon-Marne; Philippe Le Chancelier et son œuvre : étude sur l’élaboration d’une poétique musicale

http://theses.edel.univ-poitiers.fr/index.php?id=616

Consulter le texte intégral de la thèse (format PDF)

Philip the Chancellor and his work‎ : study on the elaboration of a musical poetic

Though the analysis of the moral monodic conductus by the poet, preacher and theologist Philip the Chancellor, the rhetorical qualities of this work are revealed both by words and music. They have a complex relationship either by enhancing the sounds of words, by clarifying their meaning or by setting a learned construction to be understood by people used to the subtelties of latin rhythmic poetry. Rules and figures are dictated by the will to deliver a moral message, these techniques being derived from others practices of speech. The poet-composer conceives the conductus with the same habits as the ones of the orator and the singing voice is an efficient means of teaching a large and varied audience. Each song seems to fit is own purpose by the sounds of the language, by the structure patterns or by melodic creation. The sung word thus becomes a weapon against all sinners and vices.

[Oliver Gerlach]

Merci, Dominique.

La poésie de Philippe le Chancelier, c'est aussi un belle source concernant la situation politique et sociale de son temps:

"Or me tendront riches mauves a fou"!