Gender
Female
About
Location
Vladivostok
Birthday:
March 22
Intérêt principal (principal interest)
Liturgie, Théorie musicale, Manuscrits (paléographie)
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Византийско-русская певческая палеография. Исследование. – СПб.: «Дмитрий Буланин», 2007. – 368 с., ил. 23 п.л. ISBN 5-86007-540-5. Die Anklänge byzantinischer Deutungen in der Theorie der russischen Monodie (Anhand der Azbuken aus der Bibliothek der Akademie der Wissenschaften 32.16.18) //Theorie und geschichte der monodie. Bericht der International Tagung Wien 2010. Brno, 2012. ISBN 987-80-263-0226-1. S.11-33 Новые методологические подходы к исполнению знаменной монодии через прочтение сакрального смысла этимологии терминов /Theorie und geschichte der monodie. Festschrift für Bozhidar Karastoyanov anlӓsslich seines 70.Geburtstags. Wien 2012. ISBN 978-3-9502130-4-1. S.15-23. Еще раз к вопросу об адаптации византийской певческой традиции в древней Руси: новые научные подходы (на материале певческой азбуки - согласника БАН 32.16.18) //Вестник Орловского Государственного Университета (серия Новые гуманитарные исследования), № 1(21), 2012, с. 256-259, 0,5 п.л. Mechanisms of the Byzantine culture adaptation in Russia: singing, miniature, church service /Proceedings of the 22th International Congress of Byzantine studies. Sofia, 22-27 August 2011. Volume III. Abstracts. Sofia 2011, p.271-272.
Activity Feed
"Oliver! Thank You for possibility to see new neumen manuscripts. It is beatifull!"
"Ἀχιλλεὺς Χαλδαιάκης, νεομεθοδικὲς συνθετικὲς πρακτικές: ἰδέα, διαμόρφωση καὶ ἐπέκεινα προ- οπτικές - this is report."
"Achilles not only spoke about this, but invited the orchestra of arabic musik.draft_programme_icmp2015.pdf"
"Dear Oliver! In Greece (October 2015) I listened report of Achilles about connection between tones of arabic instruments and Byzantine Echoses. I send you the program of thus conference. This report may be important for understanding the Al-Kindi…"
"Dear Oliver! Thank You for Your information. It is very important. I am sorry, I can not open this article by Claire, I read only abstract about the author. I hope, in Russian chant adaptation of Byzantine system of singing was realy. I am sorry, I…"
"May be, You are wright. I must think about this question. large - this is CDEF, small - DEFG, ukosnenny tetrachord - EFGA"
"I translate my scheme:
The structure of the Echos-Glas system includes 2 parts on opinion Hagiopolit:
Gnoristike Ideas(from gnosis - knowledge) has 2 parts:
Delotike (explaining) ideas has
subsystem of the range of supports (scale)…"
The structure of the Echos-Glas system includes 2 parts on opinion Hagiopolit:
Gnoristike Ideas(from gnosis - knowledge) has 2 parts:
Delotike (explaining) ideas has
subsystem of the range of supports (scale)…"
"Dear Oliver!
I do not see any contradiction in my and your reasoning. I look at every Echos not as a range, and as the Echos of the melodies filling by system of musical formulas. With even the same name, these formulas from the Echos to the Echos…"
I do not see any contradiction in my and your reasoning. I look at every Echos not as a range, and as the Echos of the melodies filling by system of musical formulas. With even the same name, these formulas from the Echos to the Echos…"
"Dear Colleagues! Sorry for the long absence. Your discussion is very timely. I believe that the names of the musical formulas, their musical content very closely connected with the system Ihos (Mode, Glas) both of Byzantine and Russian medieval…"
"I beleive, that Octoechos system has the strong connection between the names od the tropes and the echos name in Byzantine and Old Russian music. I have published several researches about this theme:
Алексеева Галина. Византийско-русская певческая…"
Алексеева Галина. Византийско-русская певческая…"
"Thank You so much. It is very interesting manuscript. Cherouvikon is very old."
"Connection between musical formulas and Oktoechos system I showed in my books :
Алексеева Галина:
Проблемы адаптации византийского пения на Руси. Монография. Владивосток: Дальнаука РАН, 1996. 24,0 п.л., 380 с.
Византийско-русская певческая…"
Алексеева Галина:
Проблемы адаптации византийского пения на Руси. Монография. Владивосток: Дальнаука РАН, 1996. 24,0 п.л., 380 с.
Византийско-русская певческая…"
"I think, it is possible to have several variants of this text, because polyvariantnost of the texts was the regular tradition."
