Ces documents ont été publiés sur le site Diamm (Digital Image Archive of Medieval Music) et sont consultables et téléchargeables au format PDF.
- Alice V. Clark, Concordare cum Materia: The Tenor in the Fourteenth-century Motet
- Michael Scott Cuthbert, Trecento Fragments and Polyphony Beyond the Codex
- Peter Martin Lefferts, The Motet in England in the Fourteenth Century
- Adelyn Peck Leverett, A Paleographical and Repertorial Study of the Manuscript Trento, Castello del Buonconsiglio, 91 (1378)
- Gilles Rico, Music in the Arts Faculty of Paris in the Thirteenth and Early Fourteenth Centuries
- Nicholas Sandon, The Henrican Partbooks Belonging to Peterhouse: A Study, with Restorations of the Incomplete Compositions Contained in Them
- Jason Stoessel, The Captive Scribe: The context and culture of scribal and notational process in the music of the ars subtilior
- Jean Widaman, The Mass Ordinary Settings of Arnold de Lantins: A Case Study in the Transmission of Early Fifteenth-century Music
- Magnus Williamson, The Eton Choirbook: Its Institutional and Historical Background
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