Resounding Images: Medieval Intersections of Art, Music, and Sound
Editors Susan Boynton and Diane J. Reilly
Place: publisher, year: Turnhout: Brepols Publishers, 2015
Pages: 455 p.
pISBN: 978-2-503-55437-2
eISBN: 978-2-503-55448-8
doi: 10.1484/M.SVCMA-EB.5.109323
Download: PDF(15.66MB)Résumé
While sound is probably the most difficult component of the past to reconstruct, it was also the most pervasive, whether planned or unplanned, instrumental or vocal, occasional or ambient. Acoustics were central to the perception of performance; images in liturgical manuscripts were embedded in a context of song and ritual actions; and architecture provided both visual and spatial frameworks for music and sound. Resounding Images brings together specialists in the history of art, architecture, and music to explore the manifold roles of sound in the experience of medieval art. Moving beyond the field of musical iconography, the contributors reconsider the relationship between sound, space and image in the long Middle Ages.
Comments
Fascinating and wide-ranging table of contents--I look forward to reading it!
Bravo !, chères Collègues,
Votre recherche sur le son (ὁ ϕθόγγος, -ου) à travers l'image (ἡ εἰκών, τῆς εἰκονος)
est en effet très intéressante.
Encore bravo !
Illo,
feliciter,
scripsi et subscripsi.
https://u-bordeaux3.academia.edu/IlloHumphrey
illo.humphrey@free.fr | illohumphrey01@gmail,com
IH | ih | Explicit.
Bene eveniat vobis feliciter,
(Qu'il vous arrive maintes bénédictions avec félicité),
(May there come to you many blessings with felicity),
(Möge es Ihnen viele Segen geschehen, mit Fröhlichkeit).
Illo,
fideliter, feliciter, humiliter grateque,
(avec fidélité, félicité, humilité et gratitude)
scripsi et subscripsi.
(j'ai écrit et j'ai souscrit ou j'ai signé et j'ai soussigné).