The coniunctae of the Traditio Iohannis Hollandrini in medieval sources of liturgical chant |
IntroductionOver twenty late-medieval music-theoretical treatises or constellations of music-theoretical material have survived which are linked by their subject-matter, extensive concordant passages, their Central European distribution and (in many cases) their references to the teachings of one Johannes Hollandrinus. Hollandrinus's identity cannot be ascertained precisely. The writings have been the subject of a wide-ranging scholarly project directed by Elżbieta Witkowska-Zaremba and Michael Bernhard, supported by the Polish Academy of Sciences and the Bavarian Academy of Sciences. Editions of the treatises have been published in five volumes, with an introductory volume which elucidates the nature of the theoretical material and its historical context. Two further volumes containing studies of aspects of the Hollandrinus teaching, concordances and indices complete the series of publications. (Follow the link below to see the contents of the volumes.) |
http://www.uni-regensburg.de/Fakultaeten/phil_Fak_I/Musikwissenschaft/cantus/Hollandrinus/index.html
Comments
Great work done!
And some examples e.g. IN Adorate give great evidence for the trueness of the versions in the GRAUDALE NOVUM (if one wants to see it or not...)
Jacobsthal has known these facts more than 100 years before ... it’s time to practise...