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Male
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Manchester
Birthday:
December 20
Intérêt principal (principal interest)
Autre
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
15th-century songs
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"4 E 35/1 is Binchois, Comme femme desconfortee"
"But the DIAMM posting is of the original picture, so it's not much use. Yours is the only one that we can study. Watch this space. And congratulations.
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"No trace of them in Prague, which I posted. Nor in the other one."
"No: only that single voice in Prague (and in the other AH melody); but it seemed to me -- and I'm happy to be contradicted -- that the crossing of the two voices results in a piece that makes sense, whereas the gradual falling range of the voice you…"
"No: I wasn't questioning the date of the copy (though, as you say, it can be seriously hard to tell); merely stating my view that the polyphony existed in the early 14th century, even though the source has only one voice and none of the mensural…"
"Phew: it seems to be there. The mensuration here is all my own, but the pitches and the text underlay are from the MS. In my view, the two-voice piece was there at the beginning of the 14th century."
"Sorry: I don't know how to attach. Dominique, or somebody, can you tell me now to download a pdf file into this space?
Puer natus Prag - Full Score.pdf"
Puer natus Prag - Full Score.pdf"
"If I can attach, here is the version from the Prague manuscript, pretty reliably dated to the early 14th century."
"The upper voice is plainly the same as the melodies printed in Analecta Hymnica, i.195 (from Prague) and i.196 (from Jistebnicz). But since the two voices exchange their ranges in the middle, plainly it is a two-voice piece: no wonder those two…"
"My Ciconia notes are in Basel and I'm in Manchester for the next ten days, but I'm fairly certain there's something similar in Per quella strada."
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