Gender
Male
About
Location
Barcelone
Birthday:
May 27
Intérêt principal (principal interest)
Ars antiqua, Chants vernaculaires, Instruments de musique
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
“Li autres la citole mainne: Towards a Reconstruction of the Citole’s Performance Practice.” In The British Museum Citole: New Perspectives. London: The British Museum Press (forthcoming 2012). “Music, Sound and Performance in the Mediterranean / Instruments.” In Mapping the Medieval Mediterranean, c. 300-1550: an encyclopedia of perspectives in research. Boston: Brill Press (forthcoming 2012). “Tympana rauca: Context, Symbolism and Performance Practice of the Medieval Western European Frame Drum.” In Transculturation and Organology: Frame Drums in History and Contex. Kent, Ohio, Kent State University Press (forthcoming 2012) "Tympanistria nostra: La reconstrucción del contexto y la práctica musical de las pandereteras y aduferas medievales a través de sus representaciones en el arte románico español." Codex Avquilarensis 26 (2011): 77-104. “Panderos, cribas y tumbas: los tambores de marco y su conexión con el grano y los ritos de la fertilidad del antiguo Mediterráneo.” Ítaca: quaderns catalans de cultura clàssica 24 (2011). Frame Drums in the Medieval Iberian Peninsula. Kassel: Reichenberger, 2010. “In tympano Rex Noster tympanizavit: Frame Drums as Messianic Symbols in Medieval Spanish Representations of the Twenty-Four Elders of the Apocalypse.” Music in Art 32 (2007): 100-123. “Musical Instruments Unit Metropolitan Museum of Art.” In Music Under Construction: Imitation. New York: Carnegie Hall Education Department, 2002. p. 36-45.
Comment Wall
You need to be a member of Musicologie Médiévale to add comments!
Comments are closed.
Activity Feed
"I am reading your article In Tympano with great interest. Interesting, that for instance St. Augustine and Gregory the Great remark, that the membrane of the tympanon relates to flesh because it is made of animal skin. But presumably they wouldn`t…"
"I am reading your article In Tympano with great interest. Interesting, that for instance St. Augustine and Gregory the Great remark, that the membrane of the tympanon relates to flesh because it is made of animal skin. But presumably they wouldn`t…"
"Thanks a lot! Very interesting!"
"Dear Mirco,
I have written about Greek and Roman frame drums. Here is one article
https://www.academia.edu/11828756/Tympanum_tuum_Cybele_Pagan_Use_an...
The rest you can find in the first two chapters of my dissertation…"
I have written about Greek and Roman frame drums. Here is one article
https://www.academia.edu/11828756/Tympanum_tuum_Cybele_Pagan_Use_an...
The rest you can find in the first two chapters of my dissertation…"
"Thank you for sharing the articles. Very interesting!"
"Thanks a lot! Did you write any essay about frame drums in Greek and Roman contexts?"
"I agree with Olivier, it is probably a vielle (shape, bow, position) and his theory of the restoration seems quite feasible. It is strange to find a guiro-like instrument in Romanesque iconography, but of course, it is possible that such an…"
"Thank you for sharing!"
"Thanks Dominique for starting this group! Great adufe player, I did not know this image funny enough. What is the source?"
" This is a great lost for the world of medieval music performance reconstruction and organology. Christian, you will be missed."
"Dear Karin,
Thank you very much for your message and for your interest in my work. I am glad that you found my presentation interesting.
I would like to send you a CD of my group where many of these ideas are presented in music. Could you please…"
Thank you very much for your message and for your interest in my work. I am glad that you found my presentation interesting.
I would like to send you a CD of my group where many of these ideas are presented in music. Could you please…"
Comments