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Athenes
Birthday:
June 11
Intérêt principal (principal interest)
Théorie musicale
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Modalité et son historiographie
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"Two corrections to the previous post's text:
At the penultimate paragraph of the 1a) instead of:
They are, among other things, directly connected with the performative dimension of something and are therefore, for the most part, those that provoke…"
At the penultimate paragraph of the 1a) instead of:
They are, among other things, directly connected with the performative dimension of something and are therefore, for the most part, those that provoke…"
"The second part (the first part is found in the May 27, 2025 post) of the interpolation 1α) The Source, its Streams and What Karolus Saw in Rome continues as follows:
[…] or even Β.2γ) to insist that such performing practice (guttural or not)…"
[…] or even Β.2γ) to insist that such performing practice (guttural or not)…"
"Quel travail magnifique et impressionnant ! Félicitations !"
"What follows is the correct reproduction (= only the cited passages are appear in italics) of three of my notes of the post dated April 22, 2025:
[1*] Chrodegang’s was – just one important one – among the rest; for some conclusions about the…"
[1*] Chrodegang’s was – just one important one – among the rest; for some conclusions about the…"
"The Source, its Streams and What Karolus Saw in Rome
In the previous post (my remarks on Lotharingian / Central Frankish notation should not be associated exclusively with Verdun. There are earlier medieval – including modern – aspects of the…"
In the previous post (my remarks on Lotharingian / Central Frankish notation should not be associated exclusively with Verdun. There are earlier medieval – including modern – aspects of the…"
"1)More on Medieval Northern European "Adaptations" of a Constantly Changing Medieval Roman chant 1β)What is the meaning of the term “Ancient Music” in our era of “Global” priorities? 2) “Ideology” regarding the discourse(s) on the connection(s)…"
"A clarification of my use of “cantilena romana” and good news
I used the term “cantilena romana” in the previous post as Charles [1*] would use it rhetorically specifically to Leo III and not as, furthermore, a modern researcher would label with…"
I used the term “cantilena romana” in the previous post as Charles [1*] would use it rhetorically specifically to Leo III and not as, furthermore, a modern researcher would label with…"
"Avoiding the Danger(s) of “Global Perspectives” Becoming Unproductive: The “Eastern” Aspects of Priscian and Boethius and the Power of Distinction for Theoderic and Charles
The following post is due to the “global” priorities of our times and that…"
The following post is due to the “global” priorities of our times and that…"
"A correction to my previous long post on the The Tonoi of Claudios Ptolemaios as considered in recent years by researchers of Medieval Chant and a proposal…
On the occasion of a correction to the previous post in the section a proposal for some…"
On the occasion of a correction to the previous post in the section a proposal for some…"
"The Tonoi of Claudios Ptolemaios as considered in recent years by researchers of Medieval Chant and a proposal for some “new insights” announced about Papadikē (and one might add, Greek chant in general) in order to avoid potential (and unnecessary)…"
"Exoticizing the “Global”? The continuation
In preparing that material, I argue that it is very interesting that scholars of Ancient Greek Music [=AGM]/Theory[=AGMT] often, but less and less, do not consider seriously, and with the importance it…"
In preparing that material, I argue that it is very interesting that scholars of Ancient Greek Music [=AGM]/Theory[=AGMT] often, but less and less, do not consider seriously, and with the importance it…"
"Exoticizing the “Global”?
Five more manuscripts of Ancient Greek Music [=AGM] /Theory [=AGMT] were digitized by the Vatican in the past months. We have only one manuscript from Barb.gr. The majority, four, came from Reg.gr fond, which has now been…"
Five more manuscripts of Ancient Greek Music [=AGM] /Theory [=AGMT] were digitized by the Vatican in the past months. We have only one manuscript from Barb.gr. The majority, four, came from Reg.gr fond, which has now been…"
"One more list of new online MSS:
Nl-Ll: gr. 16 D (Numéro diktyon: 37637, Math. 276, 17th c., Düring [Porphyrios] No 19, 17th c.) See Pinakes (here)
GB-Ctc: O.5.16 (gr. 1297, Numéro diktyon: 12001, Math. 118, 17th. c., Vitrac p. 163, 17th.) See…"
Nl-Ll: gr. 16 D (Numéro diktyon: 37637, Math. 276, 17th c., Düring [Porphyrios] No 19, 17th c.) See Pinakes (here)
GB-Ctc: O.5.16 (gr. 1297, Numéro diktyon: 12001, Math. 118, 17th. c., Vitrac p. 163, 17th.) See…"
"New online MSS of Ancient Greek Music Theory and on the No-e-no-e-a-ne intonation syllables
I will start, of course, from yet another manuscript where Ptolemy's Tónoi, as described in the 10th chapter of his Book II on Harmonics (entitled: Πως αν…"
I will start, of course, from yet another manuscript where Ptolemy's Tónoi, as described in the 10th chapter of his Book II on Harmonics (entitled: Πως αν…"
"One more MS with Synesius’ (Cyrenensis) De Insomniis with Gregoras’ Scholia in Synesii de Insomnis (207v-227v) is online. This is the I-Vat: Pal. gr. 59 (Diktyon Nr. 65792).
On f. 210r the Octachord Lyre of Pythagoras (Πυθαγόρου Οκτάχορδος Λύρα) is…"
On f. 210r the Octachord Lyre of Pythagoras (Πυθαγόρου Οκτάχορδος Λύρα) is…"
"There are three more digitized MSS from the Bibliothèque Nationale:
F-Pn: gr 1817 (Math. 69, Vitrac p. 185, in color). Consultation.
F-Pn: gr 2428 (Math. 76, Vitrac p. 188). Consultation.
F-Pn: gr 2457 (Math. 86, Vitrac p. 188). Notice rédigée par…"
F-Pn: gr 1817 (Math. 69, Vitrac p. 185, in color). Consultation.
F-Pn: gr 2428 (Math. 76, Vitrac p. 188). Consultation.
F-Pn: gr 2457 (Math. 86, Vitrac p. 188). Notice rédigée par…"
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