Gender
Male
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Location
Athenes
Birthday:
June 11
Intérêt principal (principal interest)
Théorie musicale
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Modalité et son historiographie
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"One more list of new online MSS:
Nl-Ll: gr. 16 D (Numéro diktyon: 37637, Math. 276, 17th c., Düring [Porphyrios] No 19, 17th c.) See Pinakes (here)
GB-Ctc: O.5.16 (gr. 1297, Numéro diktyon: 12001, Math. 118, 17th. c., Vitrac p. 163, 17th.) See…"
Nl-Ll: gr. 16 D (Numéro diktyon: 37637, Math. 276, 17th c., Düring [Porphyrios] No 19, 17th c.) See Pinakes (here)
GB-Ctc: O.5.16 (gr. 1297, Numéro diktyon: 12001, Math. 118, 17th. c., Vitrac p. 163, 17th.) See…"
"New online MSS of Ancient Greek Music Theory and on the No-e-no-e-a-ne intonation syllables
I will start, of course, from yet another manuscript where Ptolemy's Tónoi, as described in the 10th chapter of his Book II on Harmonics (entitled: Πως αν…"
I will start, of course, from yet another manuscript where Ptolemy's Tónoi, as described in the 10th chapter of his Book II on Harmonics (entitled: Πως αν…"
"One more MS with Synesius’ (Cyrenensis) De Insomniis with Gregoras’ Scholia in Synesii de Insomnis (207v-227v) is online. This is the I-Vat: Pal. gr. 59 (Diktyon Nr. 65792).
On f. 210r the Octachord Lyre of Pythagoras (Πυθαγόρου Οκτάχορδος Λύρα) is…"
On f. 210r the Octachord Lyre of Pythagoras (Πυθαγόρου Οκτάχορδος Λύρα) is…"
"There are three more digitized MSS from the Bibliothèque Nationale:
F-Pn: gr 1817 (Math. 69, Vitrac p. 185, in color). Consultation.
F-Pn: gr 2428 (Math. 76, Vitrac p. 188). Consultation.
F-Pn: gr 2457 (Math. 86, Vitrac p. 188). Notice rédigée par…"
F-Pn: gr 1817 (Math. 69, Vitrac p. 185, in color). Consultation.
F-Pn: gr 2428 (Math. 76, Vitrac p. 188). Consultation.
F-Pn: gr 2457 (Math. 86, Vitrac p. 188). Notice rédigée par…"
"The earliest codex containing the treatise Harmonica, in three books, of Claudios Ptolemaios (mid-second century A.D., Alexandria / al-ʾIskandarīyah, Egypt) is now online:
I-Vnm: Gr. app. cl. VI/10 (coll. 1300) (Mathiesen RISM BXI, No 273, late 12th…"
I-Vnm: Gr. app. cl. VI/10 (coll. 1300) (Mathiesen RISM BXI, No 273, late 12th…"
"Three more MSS with Porphyrios’ commentary are now online: E-Mn: Gr 4618 and US-PHu: Ms LJS 97 . There is also one more with Porphyrios and Bryennios (Math. 233, 16th, Vitrac p. 167, 15th) I-Vat: Gr. 1800 .
We have additionally the I-Vat: Gr. 1772…"
We have additionally the I-Vat: Gr. 1772…"
"A correction to my previous post: The date of Frøyshov’s article is 2016 not 2019."
"Early Christian Modality, Severus and Aurelian
The way(s) that the liturgical material could be seen, in relation the musical modality is not unique and self-evident (as it is sometimes presented). One could imagine for example a linear evolution…"
The way(s) that the liturgical material could be seen, in relation the musical modality is not unique and self-evident (as it is sometimes presented). One could imagine for example a linear evolution…"
"Heinrich Husmann and ancient Greek music in relation to chant
The compromising nature (as a construction) of an Introduction to X book does not sometimes permits the readers to realize how colorful the X domain is. But let us give an example.
…"
The compromising nature (as a construction) of an Introduction to X book does not sometimes permits the readers to realize how colorful the X domain is. But let us give an example.
…"
"Important MS updates, John Chrysostomites, more on LMMA etc.
The I-Vat: Urb. gr. 77 (Math. 255 [16th], Vitrac p. 166, [17th]) is now online. (See Bibliographic references.) The Harmonica of Ptolemaios begins on f. 45 r, the text belongs to class…"
The I-Vat: Urb. gr. 77 (Math. 255 [16th], Vitrac p. 166, [17th]) is now online. (See Bibliographic references.) The Harmonica of Ptolemaios begins on f. 45 r, the text belongs to class…"
"Gevaert and are the thèmes incompatible to échelle (and Modes)?
This post is a direct continuation of my previous one.
As far as I know the “pattern of thinking” of the “direction comparison” is also proposed at first by Wellesz (A History of…"
This post is a direct continuation of my previous one.
As far as I know the “pattern of thinking” of the “direction comparison” is also proposed at first by Wellesz (A History of…"
"The issue of the way we should consider Latin chant’ theoretical treatises in relation to the “real” practice (and our modern “realizations”) it is also important, as its “origins.” Peter Jeffery in The Cambridge History of Medieval Music, 2018,…"
"An improvement and on Mesarites’ “nonsensicality” ca. 1200
The last sentence, as footnote no 8, of the main text of this blog needs an improvement about the results of a “potential polarization” (as conceptual process not as a “finished/completed”…"
The last sentence, as footnote no 8, of the main text of this blog needs an improvement about the results of a “potential polarization” (as conceptual process not as a “finished/completed”…"
"Dear Pavlos
I am not motivated to continue here an exchange, since your answers convinced me that it is a one way road with somebody at the end, who is not able to communicate, because he has decided to hold back part of his knowledge. I know this…"
I am not motivated to continue here an exchange, since your answers convinced me that it is a one way road with somebody at the end, who is not able to communicate, because he has decided to hold back part of his knowledge. I know this…"
"Do not worry about my deadlines.
You can meanwhile (after you improved my description of the Great Lavra manuscripts), re-read my posts with focus on tone system, because you delivered an exact description of your drawers which prevented you to…"
You can meanwhile (after you improved my description of the Great Lavra manuscripts), re-read my posts with focus on tone system, because you delivered an exact description of your drawers which prevented you to…"
"I look forward, Oliver, to the moment you come back hoping you’ll have the time to read more carefully what I write, and not to continue with newer distortions of my stance like: “I was mainly interested in your specific focus on the Greater Perfect…"
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