Gender
Male
About
Location
Athenes
Birthday:
June 11
Intérêt principal (principal interest)
Théorie musicale
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Modalité et son historiographie
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"Reclaiming the Global: From Romanticizing Over-theorization to Grounded Practice
Focusing primarily on Charles Atkinson’s recent terminological preferences, this post also offers further notes regarding both global prospects and medieval Greek…"
Focusing primarily on Charles Atkinson’s recent terminological preferences, this post also offers further notes regarding both global prospects and medieval Greek…"
"Dear Oliver,
!?
P.S. I see you have posted on this blog once again to inform me and its readers about your past collaborations, communications, and the like, as well as your views on certain topics. Most of these topics are unfamiliar, mostly…"
!?
P.S. I see you have posted on this blog once again to inform me and its readers about your past collaborations, communications, and the like, as well as your views on certain topics. Most of these topics are unfamiliar, mostly…"
"Dear Oliver,
You may claim whatever you wish regarding our past communications. I am not going to continue at this level of personal bickering along the lines of "you told me this, I told you that." The situation will end up tragicomic. If you…"
You may claim whatever you wish regarding our past communications. I am not going to continue at this level of personal bickering along the lines of "you told me this, I told you that." The situation will end up tragicomic. If you…"
"Dear Oliver,
To address a few points from your last message:
"You became very aggressive": In my previous post, we cleared up that I didn't feel that you offended me, as you initially thought. Now you are saying I was the aggressive one? I don't…"
To address a few points from your last message:
"You became very aggressive": In my previous post, we cleared up that I didn't feel that you offended me, as you initially thought. Now you are saying I was the aggressive one? I don't…"
"No problem at all about the posting order, Oliver! I am reposting my reply here simply to restore the chronological flow of our discussion for the readers, while adding a brief clarification regarding the Chartres fragment and its original…"
"Dear Oliver,
Thanks for the clarification. Just to be absolutely clear: I never meant to imply that you had insulted me in the past. My comment was simply a general reminder about maintaining a welcoming environment for everyone on this platform,…"
Thanks for the clarification. Just to be absolutely clear: I never meant to imply that you had insulted me in the past. My comment was simply a general reminder about maintaining a welcoming environment for everyone on this platform,…"
"Dear Oliver,
Good to see you here again. You never disturbed me. On the contrary, as I have previously noted (post dated December 8, 2019—that is, from the very inception of this blog), you are always welcome to contribute here whenever, and on…"
Good to see you here again. You never disturbed me. On the contrary, as I have previously noted (post dated December 8, 2019—that is, from the very inception of this blog), you are always welcome to contribute here whenever, and on…"
"In my last post, “Decentering Northern and Central Eurocentric perspectives in Medieval Chant(s),” a few paragraphs were accidentally formatted in italics. Below is the full “Naming the Notations” section, properly displayed.
Naming the Notations…"
Naming the Notations…"
"Decentering Northern and Central Eurocentric perspectives in Medieval Chant(s)
In this blog, we have already discussed how a Eurocentric perspective on Ancient Greek Music Theory (AGMT) can mislead the understanding and skew the “solution” to its…"
In this blog, we have already discussed how a Eurocentric perspective on Ancient Greek Music Theory (AGMT) can mislead the understanding and skew the “solution” to its…"
"Four more MSS of Ancient Greek Music Theory are available online:
E-Mn : Gr. 4713 (Numéro diktyon: 40189, Math. 62, 1554 in Venice, Vitrac p. 175, 1554, Pinakes )
V-CVbav : Gr. 1800 (Numéro diktyon: 64429, Math. 233, 16th c., Vitrac p. 167, 15th…"
E-Mn : Gr. 4713 (Numéro diktyon: 40189, Math. 62, 1554 in Venice, Vitrac p. 175, 1554, Pinakes )
V-CVbav : Gr. 1800 (Numéro diktyon: 64429, Math. 233, 16th c., Vitrac p. 167, 15th…"
"Ruptures and discontinuities as systemic explanations? Besides, it is ambitious to apply any kind of canonicity that could produce a generalized “systemic” metanarrative where the greater the rupture the more the innovations and the greater the…"
"The Medieval Cultural (and Chant) Geographies of Syria and Italy and the last section of the neumes of Medieval Latin chant and their families: What do we really know about their “original” elements and delivery? And a few more observations on the…"
"The neumes of Medieval Latin chant and their families: What do we really know about their “original” elements and delivery? (The continuation from the previous post.)
Gravis-6): Furthermore, we could, perhaps, accept the low position of a “gravis”…"
Gravis-6): Furthermore, we could, perhaps, accept the low position of a “gravis”…"
"Christian Chants as parts of wider (more or less literate) Musical Geographies. However, there is one point that needs some discussion: The concept and limits of the "musical community" and its melodic identity. For instance, pp. 22-23 [I suggest…"
"Explanations, Convictions and Expectations in Quicksand: Modern Comparisons and the adoption of foreign (or semi-foreign) melodies by certain early communities in symbiotic realms and its theoretical, didactic, neumatic and other, potential,…"
"Regarding the topic of “Tropologion, Kanonarion and Stichometry” as witnessed in the Doctrina Patrum, it is important to make an addition to a parenthetical sentence I wrote in the previous post. So, instead of:
(I make such a comparison because…"
(I make such a comparison because…"
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