Gender
Male
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Location
Athenes
Birthday:
June 11
Intérêt principal (principal interest)
Théorie musicale
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Modalité et son historiographie
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"A clarification of my use of “cantilena romana” and good news
I used the term “cantilena romana” in the previous post as Charles [1*] would use it rhetorically specifically to Leo III and not as, furthermore, a modern researcher would label with…"
I used the term “cantilena romana” in the previous post as Charles [1*] would use it rhetorically specifically to Leo III and not as, furthermore, a modern researcher would label with…"
"Avoiding the Danger(s) of “Global Perspectives” Becoming Unproductive: The “Eastern” Aspects of Priscian and Boethius and the Power of Distinction for Theoderic and Charles
The following post is due to the “global” priorities of our times and that…"
The following post is due to the “global” priorities of our times and that…"
"A correction to my previous long post on the The Tonoi of Claudios Ptolemaios as considered in recent years by researchers of Medieval Chant and a proposal…
On the occasion of a correction to the previous post in the section a proposal for some…"
On the occasion of a correction to the previous post in the section a proposal for some…"
"The Tonoi of Claudios Ptolemaios as considered in recent years by researchers of Medieval Chant and a proposal for some “new insights” announced about Papadikē (and one might add, Greek chant in general) in order to avoid potential (and unnecessary)…"
"Exoticizing the “Global”? The continuation
In preparing that material, I argue that it is very interesting that scholars of Ancient Greek Music [=AGM]/Theory[=AGMT] often, but less and less, do not consider seriously, and with the importance it…"
In preparing that material, I argue that it is very interesting that scholars of Ancient Greek Music [=AGM]/Theory[=AGMT] often, but less and less, do not consider seriously, and with the importance it…"
"Exoticizing the “Global”?
Five more manuscripts of Ancient Greek Music [=AGM] /Theory [=AGMT] were digitized by the Vatican in the past months. We have only one manuscript from Barb.gr. The majority, four, came from Reg.gr fond, which has now been…"
Five more manuscripts of Ancient Greek Music [=AGM] /Theory [=AGMT] were digitized by the Vatican in the past months. We have only one manuscript from Barb.gr. The majority, four, came from Reg.gr fond, which has now been…"
"One more list of new online MSS:
Nl-Ll: gr. 16 D (Numéro diktyon: 37637, Math. 276, 17th c., Düring [Porphyrios] No 19, 17th c.) See Pinakes (here)
GB-Ctc: O.5.16 (gr. 1297, Numéro diktyon: 12001, Math. 118, 17th. c., Vitrac p. 163, 17th.) See…"
Nl-Ll: gr. 16 D (Numéro diktyon: 37637, Math. 276, 17th c., Düring [Porphyrios] No 19, 17th c.) See Pinakes (here)
GB-Ctc: O.5.16 (gr. 1297, Numéro diktyon: 12001, Math. 118, 17th. c., Vitrac p. 163, 17th.) See…"
"New online MSS of Ancient Greek Music Theory and on the No-e-no-e-a-ne intonation syllables
I will start, of course, from yet another manuscript where Ptolemy's Tónoi, as described in the 10th chapter of his Book II on Harmonics (entitled: Πως αν…"
I will start, of course, from yet another manuscript where Ptolemy's Tónoi, as described in the 10th chapter of his Book II on Harmonics (entitled: Πως αν…"
"One more MS with Synesius’ (Cyrenensis) De Insomniis with Gregoras’ Scholia in Synesii de Insomnis (207v-227v) is online. This is the I-Vat: Pal. gr. 59 (Diktyon Nr. 65792).
On f. 210r the Octachord Lyre of Pythagoras (Πυθαγόρου Οκτάχορδος Λύρα) is…"
On f. 210r the Octachord Lyre of Pythagoras (Πυθαγόρου Οκτάχορδος Λύρα) is…"
"There are three more digitized MSS from the Bibliothèque Nationale:
F-Pn: gr 1817 (Math. 69, Vitrac p. 185, in color). Consultation.
F-Pn: gr 2428 (Math. 76, Vitrac p. 188). Consultation.
F-Pn: gr 2457 (Math. 86, Vitrac p. 188). Notice rédigée par…"
F-Pn: gr 1817 (Math. 69, Vitrac p. 185, in color). Consultation.
F-Pn: gr 2428 (Math. 76, Vitrac p. 188). Consultation.
F-Pn: gr 2457 (Math. 86, Vitrac p. 188). Notice rédigée par…"
"The earliest codex containing the treatise Harmonica, in three books, of Claudios Ptolemaios (mid-second century A.D., Alexandria / al-ʾIskandarīyah, Egypt) is now online:
I-Vnm: Gr. app. cl. VI/10 (coll. 1300) (Mathiesen RISM BXI, No 273, late 12th…"
I-Vnm: Gr. app. cl. VI/10 (coll. 1300) (Mathiesen RISM BXI, No 273, late 12th…"
"Three more MSS with Porphyrios’ commentary are now online: E-Mn: Gr 4618 and US-PHu: Ms LJS 97 . There is also one more with Porphyrios and Bryennios (Math. 233, 16th, Vitrac p. 167, 15th) I-Vat: Gr. 1800 .
We have additionally the I-Vat: Gr. 1772…"
We have additionally the I-Vat: Gr. 1772…"
"A correction to my previous post: The date of Frøyshov’s article is 2016 not 2019."
"Early Christian Modality, Severus and Aurelian
The way(s) that the liturgical material could be seen, in relation the musical modality is not unique and self-evident (as it is sometimes presented). One could imagine for example a linear evolution…"
The way(s) that the liturgical material could be seen, in relation the musical modality is not unique and self-evident (as it is sometimes presented). One could imagine for example a linear evolution…"
"Heinrich Husmann and ancient Greek music in relation to chant
The compromising nature (as a construction) of an Introduction to X book does not sometimes permits the readers to realize how colorful the X domain is. But let us give an example.
…"
The compromising nature (as a construction) of an Introduction to X book does not sometimes permits the readers to realize how colorful the X domain is. But let us give an example.
…"
"Important MS updates, John Chrysostomites, more on LMMA etc.
The I-Vat: Urb. gr. 77 (Math. 255 [16th], Vitrac p. 166, [17th]) is now online. (See Bibliographic references.) The Harmonica of Ptolemaios begins on f. 45 r, the text belongs to class…"
The I-Vat: Urb. gr. 77 (Math. 255 [16th], Vitrac p. 166, [17th]) is now online. (See Bibliographic references.) The Harmonica of Ptolemaios begins on f. 45 r, the text belongs to class…"
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