Gender
Female
About
Location
Budapest
Birthday:
May 17
Intérêt principal (principal interest)
Grégorien, Ambrosien, Chants des ordres religieux, Liturgie, Théorie musicale, Manuscrits (paléographie)
Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)
Studying at: Sola Scriptura Theological College (Budapest, Hungary). Church singer at:Schola Gregoriana Budapestinensis (dir.György Béres and Attila Sztankó), the Vincentine Schola (dir. András Dékány). Praecentor at the Mulierum Schola of the Sacra Famiglia OFS Group Budapest. Serving at the Gregorian Holy Mass and Vesper by the Franciscan Church of Pest and the Vincentine Chapel' Sunday Mass. I aim to learn more about Gregorian and Ambrosian chants. Completed the five-years Gregorian course "Cantemus Domino" at Assisi (Docenti: P. Matteo Ferraldeschi OFM, P. Maurizio Verde, OFM, Prof. Giovanni Conti, Franco Radicchia e Prof. Franz Karl Prassl) and a basic Gregorian course at the Benedictine Abbey of Pannonhalma, Hungary (by György Béres and Ferenc Sapszon). I took part at different international Gregorian events and courses as a singer (Assisi Tre Giorni 2016, docenti Elena Vadori, P.Matteo Ferraldeschi OFM, P.Maurizio Verde OFM; Rome 2017, docente Jaan-Eik Tulve; Imola 2018 docente Michal Slawecki; Gregorian Week Marijampolé 2018 docenti Jaan-Eik Tulve - conductor, Rev. Kestutis Paliksa - liturgy, Rev. Mariusz Bialkowski - theory;Abbaye de la Fontenay 2018, dir. Olga Roudakova) Recently I created a Facebook Page about scholas, events, articles and registrations in touch with my and my colleagues'Gregorian activity: Il Mondo Gregoriano di Kriszta @krisztagregorian
Activity Feed
"I understood very well, but this comparison seems hardly be a coincidence, I think we have to compare and have a closer look at all three to understand this Benedicamus tropus."
"No, on the contrary we hit the nail right on its head!
There are also motets composed over the same tune with three different texts at the same time (every genre, whatever you like!), while the 4-part clausula in F (ff. 7v-8r) is just a 4-part…"
There are also motets composed over the same tune with three different texts at the same time (every genre, whatever you like!), while the 4-part clausula in F (ff. 7v-8r) is just a 4-part…"
"we're looking for much earlier source than "Piae cantiones" and also of a monophonic version
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"Pour répondre à votre question sur l'auteur du "Puer natus in Bethléem" il semble qu'on doive l'attribuer à Théodoricus Petri (1550-1617), étudiant finlandais à l'université de Rostock.
Ce cantique de Nöel fait partie de ceux que l'on trouve dans…"
Ce cantique de Nöel fait partie de ceux que l'on trouve dans…"
"Dear Oliver, maybe we misunderstood each other. I'm talking only about a monodic piece (nothing about clausulae or so).
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"But in case of Ma 289 and BL Egerton 2615 you deal with a clausula which is part of «Alleluia Christus resurgens» which is due to the subject composed in autentus proti, but not every clausula on its own has necessarily the same tonality like the…"
"It is a tricky question, I usually decide it from the local perspective of a suitable tonary, but the beginning (as an intonation of the incipit) is definitely an argument for plagi proti or tonus secundus.
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"I'm not looking for any of it, the mention of Madrid 289 and Egerton was just related to your association with Dominique's CD. We know that the text of Puer natus wandered off into cantiones repertoire at some point (including BD).
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"The manuscript of Beauvais (Egerton 2615) is close to the Notre-Dame school (even if it is not strictly organised like the revised Magnus liber organi) as well as to the Aquitanian school («Viderunt emmanuel» as a troped organum over the Nativity…"
"Oliver, I think they mean II. as Dorian plagal, no? Krisztina: where is your transcription from? What a funny story: a well known piece with very obscure origins, it seems...
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"Sorry for messing it up, my former post preceded the last two by Agnieszka, but hopefully I fixed it now.
You are right the cadences on E are interesting, but I would not call them "unconvincing" just because they appear in a Dorian tune. But the…"
You are right the cadences on E are interesting, but I would not call them "unconvincing" just because they appear in a Dorian tune. But the…"
