About

Gender

Male


Location

PARIS


Birthday:

May 13


Intérêt principal (principal interest)

Grégorien, Vieux-Romain, Hispanique, Ambrosien, Liturgie, Manuscrits (paléographie)


Présentation: travaux et (ou) intérêts (Presentation: works and (or) interests)

- Le Chant des Gaules sous les Carolingiens, in Haut Moyen-Age, culture, éducation et société, Etudes offertes à Pierre Riché, Paris (éd. Erasme) 1990, p.323-341. - Le Chant des Gaules avant les Carolingiens, Rerum gestarum scriptor. Histoire et historiographie au Moyen Âge, Mélanges Michel Sot, PUPS (Presses Universitaires Paris Sorbonne), Paris 2012, p.611-618. - Transmission orale, transmission écrite : le chant chrétien antique, in , in Vivre et transmettre la tradition dans Connaissance des Religions, n °69-70, p.191-210, Paris, juillet – décembre 2003. CD - Alleluias et Offertoires des Gaules, Harmonia Mundi 1980 (CD 1989). CD - Le Chant du Mont Saint-Michel (avec une étude sur la résonance romano-gothique de l’église abbatiale), Studio SM, Paris, 2001.


Site Web ?

https://ecoledelouange.free.fr


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IEGOR REZNIKOFF replied to Dominique Gatté's discussion The oldest musical notation in medieval Europe ? in Neumes et paléographie
"Il ne faut pas oublier le fait qu'une notation (au-dessus du texte) n'est pas toujours uniforme; on rencontre souvent des blancs sans neumes. Des passages peuvent avoir été notés après d'autres. Je n'ai pas eu la chance d'avoir le manuscrit devant…"
Feb 27
IEGOR REZNIKOFF commented on Dominique Gatté's blog post Actualités MM et MMMO (semaine 7/20)
"A quand un stage sur le chant dans l'intonation juste des gammes anciennes et non pas, comme toujours, anachroniquement, en gamme égalisée (tempérée) ?"
Feb 16, 2020
IEGOR REZNIKOFF commented on Dominique Gatté's blog post Matthieu Smyth, La liturgie oubliée (Free online)
"Un livre fondamental."
Apr 27, 2019
IEGOR REZNIKOFF replied to Dominique Gatté's discussion Heli Heli lema Sabacthani, les sources notées in Neumes et paléographie
"C'est super intéressant: la variété mélodique, mais aussi le style local préservé (p.ex. le romain). Encore une fois, toutes mes félicitations, et surtout:
Lumière et Joie Pascale !
Iegor"
Apr 20, 2019
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in Mélos et ses microtones
"The interval 11/10 can be heard often in various oral traditions (particularly in laments). It is not too large because it is local; in the practice of oral traditions, including learned spiritual ones (Byzantine and Eastern Churches, Sufi Turkish,…"
Feb 4, 2019
IEGOR REZNIKOFF replied to Dominique Gatté's discussion Harley 4951 online - Graduel de Saint-Sernin de Toulouse in Répertoire des manuscrits médiévaux notés
"Justement, Olivier, si vous regardez les Tonaires, quel est le mode de l'Alleluia Osanna filio de l'Avent (folio 123v)? Apparemment 6ème mode?"
Jun 25, 2018
IEGOR REZNIKOFF replied to Dominique Gatté's discussion Office de Saint Gordien à la Wurttembergische Landesbibliothek in Répertoires liturgiques
"Pour la St Gortdien je ne sais pas, mais la notation est remarquable; quatre lignes et des neumes très précis: strophici, quirisma, etc. Jusqu'à quand une telle précision de notation (neumes bien différenciés et lignes) se maintiendra-t-elle? La…"
Jun 24, 2018
IEGOR REZNIKOFF replied to Dominique Gatté's discussion Harley 4951 online - Graduel de Saint-Sernin de Toulouse in Répertoire des manuscrits médiévaux notés
"Oui, bien sûr, les alléluias sont au choix; c'est courant dans les manuscrits aquitains. Et l'on trouve parfois des alléluias rares, par exemple l'Alleluia Osanna filio David, folio 123v."
Jun 16, 2018
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in Mélos et ses microtones
"Yes, it makes sense (I would rather start on G). We settle this soon (I call)."
Jan 8, 2018
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in Mélos et ses microtones
"(partial answer)
I didn't mean that in the manuscript the salicus is on E F F+; it was simply a remark and this prooves that E-F is a larg interval, actually E-F+. Following the manuscript, it could be on D E F+ and then G A G (toculus); or E F F+…"
Jan 4, 2018
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in Mélos et ses microtones
"Starting from D, D-E (10/9), E-F+ (11/10), F+-G+ (9/8) flexible, D-G+= C-F+ (11/8). Now, what do you mean by "fourth species of the fifth"? In which scale D or E?
For the main question, what notes or what echema do you choose? I can't follow the…"
Jan 1, 2018
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in Mélos et ses microtones
"Sorry, I missed the word 'descend'. Good question. For the ascending interval G - A (fourth to the fifth), I sing sometimes G as the pure fourth of D (it depends also on the vowel); but if descending down to D, I certainly sing a high G+, this gives…"
Dec 30, 2017
IEGOR REZNIKOFF replied to Geert Maessen's discussion Venient ad te in Chant wisigothique/Mozarabe/Hispanique
"I'm very happy to discover and impressed by this latin version of the Cherubikon. By the way, I remember discussing about it with M. Huglo, that he said that it was sometimes, at least in the Western tradition, sung as a trecanon, that is in three…"
Dec 30, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in Mélos et ses microtones
"I certainly would choose the high fourth, given, if starting from C, by the interval C - F+ (11/8) or starting from D, D - G+ (99/64). But it doesn't make a tritone, it is, starting from C, between F and F#. To return to the (pure) E mode, E - F is…"
Dec 30, 2017
IEGOR REZNIKOFF replied to Oliver Gerlach's discussion Reconstructing the echema AIANEOEANE (Alia musica) on the base of neumes in Hartvic (D-Mbs clm 14272) in Mélos et ses microtones
"When speaking of ancient intervals, based on the sequence of harmonics (overtones), the fundamental tone is supposed, theoretically, to be C (the pitch is irrelevant). Then, the fifth G, is the third harmonic and 3/2 of the height of C; E, the…"
Dec 29, 2017
IEGOR REZNIKOFF replied to Geert Maessen's discussion Venient ad te in Chant wisigothique/Mozarabe/Hispanique
"The point is that if we want to be really serious concerning interpretation, we have to return to ancient scales and not as it is always done, sing in the tempered scale. It is what I have done for more than 40 years. Among other performers, only M.…"
Dec 21, 2017
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