"I forgot to congratulate Dominique on this discovery!  I was too excited to transcribe the ballade.  There's a consistent scribal quirk (error) in the ligature reading.  Once that's figured out, all the rhythmic errors disappear."

"How wonderful about Laon! And wonderful to have a new binatim for Nicolay. It's different than the others I know somewhat. "

"What an amazing database, Warwick!"

"This has been a wonderful resource for me.  Thank you Christian!"

"Wow.  The frame of B.339 reminds me of the London 82959 fragment (the Sanctus side) -- it gives me something to think about -- could it be a rare polyphonic piece from a Laudario fragment?"

"Richard -- the Amen is the continuation of the piece on f. 39r (Exultemus sit).  The tenor is provided for the first four lines -- each is in matching pairs (sequentia).  After that, beginning with "Hic con Christo" there is no tenor, until the…"

"Sad that Google has discontinued Fusion tables, so we can't find this online anymore.  :-("

"Fantastic discoveries.  Certainly the "Notre Dame" repertoire and manuscript style traveled far."

"Great new source!"

"What a wonderful discovery.  Thanks Dominique!"

"This manuscript was presented on by Stefano Campagnolo at the "End of the Ars Subtilior" conference in Certaldo (Pub as "End of the Ars Nova") but not included in the conference proceedings.  Campagnolo and Maria Soffia Lanuttia give the incipit as…"

"Fantastique!  HD!"

"Wonderful.  The chant on the bottom part is a Sanctus (without the Osanna ut supra) -- GS 16* found throughout Old Hall -- but that doesn't mean it's English; just that that's the first source I could find it in.  But also not in Graduale…"